Farm Song (with Introduction by Orlando Ramirez)

Dear Readers,

The best poetry, the transgressional poetry, germinates in an incoherent space. It gushes like a sliced artery, spilling, spattering associations through images and passion and rhythm, a variant of glossolalia that the ancients recognized as divinity and modern medicine men classify as neurosis. Maybe they will create a pill to treat the symptoms, but no pharmaceutical will cure the flow, the font that finds the cracks in those afflicted individuals, men and women who have no recourse but to voice what they glean from the border of dreams and grammar. Rick Marlatt is such a scout in the hinterlands. His work crosses the line, erases it, speaks with the authority of a Mago, draws from his specifics: father, son of the Midwest, teacher  and prophet. He takes the eternal and fashions a delightful vessel. Can we ask for more?

— Orlando Ramirez, Guest Editor

 

 

Farm Song

 

The fiery flash of the fox’s tail

whips behind the wet & waylaid chicken coup

where a gang of evil hens once conspired

to overthrow their brutal lord

who slept all day in the rotted dankness

above the silver-eyed rats who stole away

at night to the barn to clamor up the walls

like nightmares but fell prey to the feral cats

who stalked the grounds between the fields

of emerald corn plants silent with no folktales

for the old man who through the space

between several teeth hummed his war ballads

teary-eyed & guzzled Coors Light

like an animal god until in the end

he was yellow like a fever sipping water

for the first time like the sparrow

whose beak was broken beneath a painfully

blue sky that covered everything except

the cottonwood trees that let their children

float down to the water where the carp

all crazy & brown surfaced & sucked

them down into the brown of their bellies

before darting back down below

the stiff heifer who plummeted like a boulder

shoved a mile by the loader’s rusty bucket

after dying in last night’s blizzard

while her calf was pulled from her gaping wound

by a gnarled tow rope tied to the ball hitch

of a Ford Ranger that barely started

in the frigid dark following the torch

of an ignited Marlboro that blurred

the difference between smoke & breath

like the coyotes hold in their howl

the equal notes of Heaven & Hell

like a November moon mars the line

between night & day while the sky swallows

the land it can’t digest like the bull snake

sleeps next to the fawn’s carcass

dreaming of maggots who dance in a dervish

like the blinking jets weaving between stars

with no room left in their lives

for any more wishes so can only grow

brighter & brighter until burning out

is the only hand left to hold.

 

 

© 2012 Rick Marlatt

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Editor’s Pick: Chera King

While Deborah Graber’s pieces are always funny, this one is by far my favorite. The crux of this piece has to do with the infatuation and obsession of the unreliable narrator, but the paradox is that we all really crave this kind of life. The reader can relate.
Through the naive and often juvenile comparisons, Deb draws the reader into an L.A. fantasy that transcends setting. She is creating a world that everyone recognizes through pop culture references that grow increasingly off-the-wall. The humor is in the absurdity.But my very favorite part of this piece, is the cadence. The rambling, long sentences lend a sort of stream-of-consciousness and excitability to the narrator’s voice, punctuated by the conversational “yeah”s at the end of each section. This is great stuff!

-Chera King, Editor

Sofia Coppola is My Favorite (Excerpt)

by Deborah Graber

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Time Out of Joint

In the dream it was a hectic day.

The animals were restless, disturbed,

sensing something in ways I couldn’t:

a bark, a mew, a clarion call.

 

The ghost called on the phone

and it was great, just like old times.

We talked sports, job, family, perhaps

even something as mundane as weather.

 

The connection was surprisingly clear,

a testament to satellite communications

from beyond the grave, which reminded me

of the unusual and special circumstance.

 

I asked how things were with him,

wherever he is, in that mystery place,

and he said, “I’m under a lot of pressure.”

It was news I hadn’t expected.

 

Soon after, I awoke.


© 2012 Gary Glauber

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Editor’s Pick: Bryan Burch

I don’t know Edward Hagelstein. I didn’t read BRAIN SPANK before we published it last July 14th. (I was reading other submissions, I suppose.) In fact, I didn’t read Edward’s short story until we decided to look back into our weekly postings and select some of our favorites. What grabbed my attention was how coolly and irreverently the reader is introduced to this f**k-up of a protagonist and how quickly and obliviously he slides further and deeper into doo-doo. Who’s fault is it? Why, Brain Spank, of course, “a giant alcohol/caffeine drink that supposedly packs the equivalent of five beers and three cups of coffee.” Hagelstein’s narrator has a delicious way of veering in and out of his character’s cluelessness while maintaining a casual but prescient relationship with the reader, as if he’s saying, I know we’re all buds here, but this A-hole is a mess. Hagelstein opens his story with the offbeat image of a cop shooting himself in the foot and by the time the story is finished a couple more feet have holes in them. I hope you enjoy BRAIN SPANK. If you didn’t read it last July, now’s your chance for “simultaneously getting hammered and staying alert.”

—Bryan Burch, Editor

Brain Spank

by Edward Hagelstein

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The Blue Cervix

Tarleton perches on the exam table in a gown, her thighs pasted to the runner of waxy paper like she is her own favorite mayo and banana pregnancy sandwich. Hugging her stomach she wonders if her baby will like the color red, the taste of cherries, and the feel of velvet; or will it be green her baby loves, the emerald world of frogs and grass. I can’t wiggle my toes, she thinks. My feet are swollen bread loaves with grape toes.

Earlier she’d drunk a sugary liquid and now sits waiting for the man-nurse, Wystan, who comes with the butterfly syringe. She was fine sitting there. Now she’s not fine. Someone coughs in the hall. Wystan enters, a cart following him. Tying the tourniquet above her elbow, he finds the crook of her arm and sees how she shakes and has to be calmed before he can slip the thin needle in. She turns away as the vial fills with rubies.

“You’re not the only patient with blood phobia,” Wystan says. “When I walk into an exam room I might as well be a hurricane. I’ve seen women that afraid.” He likes to talk, to speak of tropical storms and earthquakes. The eleventh tropical storm of the season is out there. It has teeth and an appetite. Hurricane Wystan, he calls himself. He’s a winker. The first vial is capped and another to be drawn. When Tarleton glances she sees red cinnabar moths flying into the vial.

When he leaves he closes the door tight. There aren’t any stories in this room. She listens. The hallway has more. There are secrets kept and revealed here, but the examining table and metal surfaces are too silver and shiny for them to stick. Footsteps approach, then fall back. Her eyes wander the ceiling’s low white sky. The baby is a little seahorse, hers alone. She picked the father for his quickness, for his not-too-short or too tallness. She saw him each day. In her mind she called him the boy because he looked younger than her, although not by much. He smiled more with his dark eyes than his strong white teeth.

Her hands hold her stomach, her fingers touching each deep breath her body takes. Her diaphragm is being squashed by her expanding uterus. She imagines herself as a five-year-old in a burgundy dress with velvet sash and a cancan. Her birthday party. She’d blown up a balloon and when it popped pieces flew to the back of her throat. The instant she couldn’t breathe she felt free. A bird escaping the cat’s daggers. How far away the people around the tall strawberry shortcake seemed. Breathlessness made her float as if she would soon dissolve into bits of silk ribbon. She had no mother who wished to hold her to earth. Struggling to breathe, she gulped in air and panted.


The door opens and Tarleton turns, her face expectant. But it’s not soft-spoken Doctor Lynette Roby. Instead it’s a thin, blond man with a long nose overlooking his white lab coat and stethoscope who takes her hand. He is shaking it, pressing his cold palm against hers. His hair, combed back from his forehead, is long enough to tuck behind his ears. He tells her he is replacing Doctor Roby. He tells her his name is Doctor Liszt. The name sounds familiar.

He helps her lie back on the examining table. Maybe he thinks she won’t miss Doctor Roby because his eyes are so very blue—the cobalt-blue of her childhood’s glass pig-bank. The one she used to feed dimes, quarters, and twigs. Half dollars were too big for his mouth. Her grandmother owned Laundromats. Her clothes rained quarters. When Lester the pig-bank broke, she gathered up all the blue glass and planted it next to the chinaberry tree. She waited for a tree of slivery blue leaves. Branches jagged like shards of broken Lester. She watered the ground with her tears.

“Any vaginal bleeding?” he asks, seating himself on the wheeled silver stool. He turns a page in her file. A bulldog clip holds her first and second trimesters.

“No.”

“Any irregular contractions?”

“Some.”

He wants to measure her cervix. A mirror, light and speculum opens her. The hidden world. She thinks of the deposit of semen injected high into the cervix with a needle-less syringe. She decided on the boy herself. He was twenty-one. A cashier at her neighborhood Stop N Go; a boy set on saving money to become an herpetologist; a boy who would eventually return to his native Bangladesh.

“How old are you, Tarleton?”

“Almost twenty-five,” she answers.

“We’ll be taking a repeat gonorrhea test.” He pronounces gonorrhea like an entrée in an expensive restaurant.

“Why?”

“It’s routine.”

Her cheeks burn. “There’s no reason. The baby is from a sperm bank.” He pauses to look at her. Is he surprised that this pretty dark-skinned girl chose a donor? This girl with high cheekbones and pale green eyes is likely partnered with another pretty girl. But he can’t see everything, sitting as he is on the metal stool with four wheels. Maybe he loves to roll like she used to roll, up and down, up and down. Then he sits, draping the sheet between her legs. His fingers examine her ankles.

“I’m retaining water,” she says.

“That’s normal. How are you sleeping?”

She thinks of her body and how it took in noises from the street, and the gospel singing of mosquitoes through the thin walls of the apartment. The baby listens to everything. The baby is listening now. She feels the cold of the speculum. “You have extremely pleasing eyes,” he says, looking at her blue cervix. Her leaf-colored eyes aren’t there.

“I thought Doctor Roby would be with me,” Tarleton trembles. Her skin is clammy, her skin doesn’t like the wax paper sheet, doesn’t like him looking.

“Won’t your partner be with you in the delivery room?” he asks.

“I don’t have a partner. The baby and I will be everything to each other.”

“Maybe you can ask your mother to be with you.”

“Who?” Silence swallows the room. Her grandmother said Tarleton’s mother had an aneurism during her delivery. Should she share that fact with his face or the ceiling’s perforated holes pricked by a million butterfly needles? He unsnaps his rubber glove so forcefully. Like he is angry at her. Angry that she is the cause of him having to put it on. “A berry aneurism?” His eyes turn opaque. Blue plaster. “What was the outcome?” She shrugs as if she doesn’t know. But she does. Her mother died. Her mother became stillness. There was a lawsuit that became a handsome trust fund. She wonders if the baby inside her, a girl-child, could be her mother returning. “Cheer up.” he says, closing her folder and patting her shoulder. “You’re young,” he repeats, already most of the way out of the room. “Stay active. Keep exercising.” Tarleton sighs not loud enough for the light switch to hear or the glove that touched the inside of her body withering in the wastebasket.

She thinks of the boy’s dark eyes so intelligent behind his glasses. How quickly he gave change. He already knew the total before the electronic sensor touched the bar code. He knew things about her. That she didn’t require a plastic bag. That she refused to add to the reefs of plastic in the ocean that choked dolphins. That she preferred paying in cash. Sometimes, handfuls of quarters. It was this knowing that led to him telling her he had a discovered a frog in the Chittagong district of his home country that had not yet been classified. There was an article in a newspaper on-line. She asked many questions of him. What his favorite time of day was? First light. Did he sleep well at night? Always. Did he like the color orange? Yes, when the sun dropped into Bay of Bengal at dusk, orange swallowed the world. Then the day came and she asked him to be a donor. Hers. He would be paid. She bought ice cold water, a coconut ice cream bar.


In the waiting room the TV is turned to pregnancy yoga. A big woman in black shorts on her hands and knees curls her toes and raises her hips. Her legs are great marbled cuts of beef. Wystan coming down the hall gives her a thumbs up. Doctor Roby shouldn’t have left without telling Tarleton goodbye. Clutching her cell phone she starts down the uneven sidewalk that passes the nursing college and Herman Hospital. Cathedrals, blue-white in the sun. Cars pass. Traffic is a blur. Buildings are sharp-edged, like scalpels. She hopes the little seahorse doesn’t mind. It’s good for both of them to walk, so said the blond, thin-nosed doctor. Before the lawsuit she lived with her grandmother in a three-story yellow house with wraparound porch and bamboo shades that broke the sun into slanting pieces that the ceiling fan stirred.

The heat in this city is always spoken of. The most air-conditioned city in the world. It was flat out heat like this, the day she and the boy walked together to the clinic. He wore a long-sleeved shirt and his dark hair was freshly washed. Sun glinted from the black centers of his eyes. He said things to her. He would like to know her better. She could teach him. Did she know how to play marbles with sea shells? Had she ever seen a swamp deer? The male antlers have twelve points. He was nervous. Like a swamp deer. He felt the great honor. Thank you, he told her. Thank you, he repeated.

Her dress liquefies and the nylon material sweats flat against her body. She feels as if she is walking naked. Doctor Roby didn’t tell her goodbye, and neither had she told the boy goodbye. Is my conscience clean? Will I be a good mother if my conscience needs washing? Twice a day for months she’d talked with him; he spoke good but not perfect English; yes, frog hunting in brackish ponds near the ancient temples he’d taught himself English; old science journal articles were sometimes written in German and so he learned German, that’s how smart he was. The day he accompanied her to the clinic; she gave him a check for more money than he could believe. For doing such a thing.

She keeps walking through the heat and as soon as she thinks she is almost home another block unrolls itself. There are smells of warm dirt and leaves. Along the sidewalks she notices beige gravel like broken teeth. Yucca plants, fleshy daggers poke into the sun. Her head sweats like her skin, perspiration trickling into her eyes, perspiration running from her chin, from her ears like water diamonds. Walking she rocks, knowing the baby likes the motion of going. We will be everything to each other. Why, the boy asked, don’t you want to make a baby in the ordinary way? Are you afraid?

She turns onto West Dallas Street. The cars go faster and not a hint of a breeze. Someone in a passing truck honks. “Mamasita!” Squat brick apartments with oxidized lilacs. A man in overalls at the corner holds long pruning shears. The giant tongs click at the bush’s pointed yellow tips. She goes on between lawns stamped brown by the scorching sun. She needs no one but the life inside her. Behind the blue cervix is the hidden word.

 

 

© 2012 Stephanie Dickinson

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Editor’s Pick: Jennifer McCartin

Simona Supekar’s “The Origin of Zero” redefines Zero as a  powerful identity in the post-colonial imagination. A catalyst for the love between two people, the Zero asserts its history while forging a deeply personal future between the speaker and her lover.

I selected this piece because it’s well crafted, compromising none of its complexity through its clean lines and impressive word economy. I look forward to reading more from this talented writer.

-Jennifer McCartin, Editor

The Origin of Zero

by Simona Supekar

 

 

 

 

 

 

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The Accomplice

 

You’ve quite the paper trail

by now, an account of sticking

to what you know:

kaleidoscope of club kids

dancing to the language of ten

-dollar drinks, hand-on-knee,

lip-to-ear, sharp white

teeth and red

lips with nowhere else to be.

 

You used to wear these

headaches like a badge,

proud not to know

how you got home this time,

but suddenly a year has turned

over onto its back

and you start to

wonder why you’re still counting

change, saving up for

that tattoo you don’t even want

anymore.

 

Memory of a ghost-girl’s

prophecy smile glints

trouble in your mouth,

lit like a lampshade in

a room you left months ago.

 

She was right—

You’ll never rearrange

all those wrong names

at the bottom of Tuesday’s

empty bottle or Thursday’s

ashtray.

 

All you really wanted was

a woman you could rob

a bank with, a drink-throwing

chick who looks good with a gun

and laughs like a lit cigar.

She’d hiss your name like a secret

password and paint

the charm on

thick like eyeliner.

 

You were close a few times,

hung up on the glow of

escape clause attraction,  but

you can’t keep a phantom

drunk enough to quit

looking for a way home.

 

In the end, they’d always leave

you in their dust,

brace for the whispered

daggers of their own names

at their backs.

 

A small town sort of city hates

a woman with big ideas

who knows how to pack light.

 

Sometimes they come to you

as you shiver into sleep,

and you worry

they knew you

like gravity does.

 

And they were all so

pretty,

like war propaganda, their eyes

burning

for the next town you’ll never see.

 

© 2012 Jess Cording

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