Follow Me to the Chandelier Room

We should sign up to see only people we like,

like Albert Goldbarth, who dishes

out a maelstrom of nipple-twitching,

a lip ring in a dungeon.

 

I am so glad to have you to talk to. How

can I stop? Don’t make me,

like a birthday card with a naked cheerleader

open carefully, contents under

 

pressure me to do something unconventional!

Isn’t this the room from Ghostbusters? And isn’t Dan Aykroyd

about to drop one of these chandeliers on our heads?

Chevy Chase waits in the wings

 

while the Stay-Puff Marshmallow Man gets fatter.

Here, have you tried Burt’s Bees Hand Salve for your

back pain? If I see one more set of air quotes

I’m going to pull out my hair; it’s dying anyway.

 

Air quotes don’t validate me in the manner to which

a chandelier would, were it falling on the doddering

old man who is putting me to sleep. It must be his naptime.

I just heard the crystal in the chandelier yawn,

 

the artificial flames are rolling in the glass housing.

For someone who doesn’t read anymore, I wonder what in

the Wichita Kansas I am doing here; writers are weird.

Who’s story is this? I don’t want Cliff’s notes, I’d

 

rather jump off a cliff, dive into a Jell-O beach

blonde dead hair salt rinse. With my tuition in remission

my eyes, just like Dickens, changed public opinion,

invoked pop criticism

 

like pop tarts—twitchingly sweet but unsubstantial.

I am in love with the guy up there telling the story of Little Red

Riding Hood, even though we can’t understand him.

Do you think his accent is thick because he knows it charms us?

 

It’s a shame(less). I’m tired of wearing a loincloth over my

banana and nuts; thank you, “Mom,”

for taking care of me. Here try my RC

and let’s sit in the room with chandeliers that got squashed

 

by giant tomatoes fleeing from a Hitchcock film,

spilling a trail of seeds on the pavement

like Hansel. I want to be a mentor mentee

without menthol or menstruation.

 

Left-handed pens worn as jewelry,

girls as jewelry, women in the men’s bathroom.

Only one man attends the session on lesbian fiction.

Maybe he has identity issues, or geographic ineptitude.

 

How many eating disorders can one woman collect?

Tender hooks, full of appetites, they must press on.

Coconut custard cream pie baked on a crust of holy wafers

Deliver unto me its lascivious blasphemy.

 

We switch to Waldorf [the best room] and Why We Need

Ideas for Stories. Maybe we need salad instead

of ideas. We do not choose our medium—

it chooses us.

 

I like him—bald, bubbly, and repetitive.

Like any Buddhist, I long for an epiphany

Not a phony epiphany but an organic semantic.

I need to lose weight to sit next to you.

 

And the loafers—I never took you for a loafer.

Every now and then it just feels good

to untie myself from the confines of laces.

I’d hoped to get through the day without air quotes.

 

Why do I think everything she says is bogus?

Because all stories already exist in formlessness;

the only thing that changes

is the desire to trap them between the lines.

 

After the last forum everything else sucks.

I’m in love with Robert Olen Butler.

Now what can I do but drive five hours one way.

Five hours is a blip in time when we’re talking love.

 

I am surprised by the stark whiteness of this crowd.

When do you want to leave, and how do we extract ourselves?

We’ll go after this speaker and ease into the Ballroom,

where we can dance with the woman

 

who speaks with her hands.

I want to learn to speak without sound,

fingers opening and crossing fists.

My messages to you would bend gently at the knuckles

 

palms warm and open. I would be honored

to have my reading interpreted by her

in a grey double-breasted jacket,

hands dancing in pantomime.

 

Does she ever get tongue-tied?

I’d help her, but my hands are tied.

She’s always a phrase behind

because she must hear and think and hand dance.

 

How does she whisper?

I have so many secrets.

The best place to put something

for no one to read is in a poem.

 

Oh how I would love to make words dance.

I like listening to the ways they sway and shuffle.

I have a Chicagoland hand rash

so I pull a pen from behind my ear and write.

 

Stories about dust and snow, death and fire.

The chandeliers are pears ablaze above

Donald Hall. He’s changed since I read him in class

or maybe I’m confusing him

 

with some other grey, unkempt poet.

His head nods rhythmically

either from a mild Tourettes,

or maybe it’s narcolepsy.

© 2011 Meredith Danton Camel and Diane Larson

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The Snow Lion

“Dalai Lama’s nephew dies in traffic accident”

Feb. 15, 2011, CNN.com

for Jigme Norbu (1965 – 2011)

I last saw you on Kirkwood Avenue. I told you that I would be spending a year studying abroad in Germany. I’ve been in Freiburg im Breisgau for almost a year now. You told me you were getting ready to start another one of your Walk for Tibet awareness campaigns. Ambassadorsforworldpeace.org was one of the last things you ever told me.

A week or so before our final meeting, I was at The Snow Lion sitting by myself at a table that would normally sit eight people. I was the only customer in the restaurant at the time, partly because it was a weekday and partly because you had just opened a few minutes prior. I waited for my food to arrive. I have always ordered the same thing, even when I worked there as a waiter, fried rice with chicken, beef and shrimp, served with a salad with a homemade yogurt sauce and a large Coke.

When you came into the restaurant, my food had already arrived and I was scarfing it down like if I were Goku from Dragonball. Your wife, Mrs. Norbu, as I have always called her, was sitting nearby at a table for two. You walked directly to her table and sat across from her and then you saw me; you waived and then we had a brief long distance three way conversation. You then got up and came over and sat across from me and we started to catch up since I had been away from Bloomington for five years.

I told you about my six months in the Middle East, mainly in Israel, but I did mention to you that two weeks after I left Dahab, Egypt, a bomb blew up at a restaurant that I used to frequent called Al Capone’s and that twenty-three people died as a result of that explosion on April, 24th, 2006; you listened patiently and then after some silence, you started to tell me about your many Walk for Tibet experiences.

The following story is the one that stands out the most to me; while I was eating, you told me that you had walked for so long during your last Walk for Tibet journey, that all of your toenails fell off and that you continued to walk regardless of the pain. Walking fourteen hours in a day was not uncommon for you; but you were not a common man after all. You my friend, were a man of great dedication, who walked over 8,000 miles to bring awareness to the plight of Tibet, a land with its own people, its own culture and its own resilient spirit.

You were hit by a car and died while walking along a highway during your Walk for Tibet journey from St. Augustine to West Palm Beach, Florida; you died doing something you believed in because that’s how you wanted to live your life.

 

© 2011 Steve Castro

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RADIO.PHOBIA.

They cup hands around the smolder

like guarding bruised fruit. We never watch them

 

light the match, just know they burst

with oxygen. If we’d witness the catch

 

and cultivation, spread of soft flame

 

underground (The roots go first) our shadows

would extend from toes to wall, the well filled

 

now—not like yesterday, when we could only

hold out, empty. Language and sight,

 

nothing else is as estranged.

 

Let the shoreline represent infinite

progress, sliver of worth, trees forked

 

into banks of rock and angle. The world wasn’t meant

to accept just any border. Between fear

 

and wonder, a thing hollowed out, almost gone.

 

Don’t pick it up on the beach or blame it

on earthquakes, even four lane highways:

 

that underground muck fire will take years

to put out. All of the living, but never

 

another’s life. Small hand in its mother’s, yanked

 

don’t stare! Palms, like maps, laid flat

against us.

© 2011 Caitlin Mackenzie and Becca J.R. Lachman

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Thrice as Nice

As read directly from your email inbox in a letter from me that has just arrived …

Greetings…..

Just before the school zone was an electronic speed board flashing me at 33mph. Instant reflex was to compare that speed with my speedometer, which was about right, but what caught my eye was the time on my radio, 3:33 and the gas gauge way below “E”. I pulled into the first gas station in sight. After waiting behind 3 cars, I noticed the price, $3.33 a gallon. I clicked in the auto-fuel-cutoff lever and went inside for a pack of smokes.

I grabbed a pack of Tripoli Turkish blends from the Tobacco Bin, 33% less tar for $3.33, less tax. Shaking my head in amazement at the $33.33 gas bill on register # 3, I bought 3 Triple Play lottery tickets.

All these 3s kept spinning in my mind.

Superstition, blind luck, chance coincidence, a direct channel from the gods, whatever it was, I knew it had to be a sign, an omen, definitely not something to be disregarded.

The 3 major dramatic questions are:

“Why all these 3s?”

“What do they mean? “

and “What do I do now?”

With this in mind, I turned to my cyberspace soothsayer, Madame Sarah Oracle’s No Nonsense Lucky Number and Mystic Numerology web site and entered, “Tripoli 33comma3colon33dash3point33parenthesis333and33% in large fonts”. An instant winner banner popped up and I immediately obeyed the flashing “Click Here” hypertext to claim my valuable prize. I was given a confidential confirmation code, 3-33 and a telephone number with a 003 area code that took 3 times to get a connection.

The exotic voice of Princess Alexis enticed me as she confided that corrupt and evil guardsmen were holding her captive in the castle dungeon until she reveals the hidden hiding place of the missing royal treasure. Her assassinated father, the ever good and kind king of an undisclosed land in the far northwest region of deepest, darkest South Africa, whispered to her the secret location just before his death. She explained to me her plan to foil her abductors and help the poor villagers of her kingdom by sending the vast fortune for safekeeping to an honest American citizen, like me, to keep for her until she could manage to escape and join me in the United States. I was honored that she would find me worthy of such a trust. She also said that her lucky number was 3, just like mine. I was now completely convinced. I eagerly shared the password to my savings and checking accounts – anything to help my new friend, the brave and precious Princess Alexis.

I had an electronic account, but that was about it. I’d been living hand-to-mouth, always paycheck-to-paycheck, and my last payment had stopped 3 weeks earlier after 3 months of unemployment. So you can imagine how surprised I was that my balance was now $33,333.33!

I tried calling the princess back to let her know that the transaction had taken place, but I couldn’t get through.

I’ve also tried asking all my friends by email about what I can do, but by some coincidence an Internet infection has entered their electronic banking and bill payment systems on their computers along with all the contacts on their mailing lists. What a vicious virus! I sure hope I don’t get it.

I’m seeking your advice concerning what to do about these huge amounts of money appearing in my account, which for some reason grows larger everyday. My bank teller warns me that the FDIC only insures up to $100,000, that I should transfer money immediately. I’m running out of places to put it all. Maybe you can help me. All I need is your account number and password…

Wow, that was quick. Your information just arrived in my inbox. I’ll save you the trouble and forward it for you to my sweet and innocent Princess Alexis. Computers are so awesome. I do wish I knew more about how they work.

I know you’ll be surprised at the new balance in your bank account, just like I was. I hope to hear from you soon.

Until Then,
Carl Palmer

P.S. Today is the 33rd day since this all began and I didn’t hit the lottery. Maybe those 3s weren’t so lucky after all.

© 2011 Carl Palmer

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Please indulge this

Please indulge this.

Because the nettles only sting

when alive. Because

dead things are so easily

severed by a blade of grass.

Honeybees would rather die

than eat the last of honey.

I try to find you amongst

the ruined combs—the spring

day that can’t help but burst

from carefully wrapped gifts.

There is no last of the honey,

only more to unwrap.  Only

bodies underfoot to preserve

a kiss in wax—winter gone—

tongues cut apart by grass

where royal dandelions

hoard the sugar of the field.

But where is the lion’s mouth?

Where is the hero who lays

down for my pleasure?

 
© 2011 Timothy Liu and Hansa Bergwall

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Hazel Kitchen

How a Nice Girl From Mississippi Ends Up a New Yorker,

with a Bad Haircut and a $700 a Month Therapy Habit,

Shacked Up with Hazel Kitchen

My therapist, who always smells like triangles, says I’m not a lesbian, I am just a narcissist. But since the day we met, I never thought Hazel Kitchen was all that. And nothing could be less all that than the sad, wounded constellation of human features that went diving through the twisted gauntlet of my parent’s Southern Baptist Mississippi DNA to end up on my face. They are the same forgettable features that I first saw on Hazel Kitchen that day.Only I never forgot them.

If it hadn’t been for her Aunt Bayleigh’s terrible knitting skills, we might never have ended up in the trouble we are in. And that would’ve been a tragedy.

“You could be sisters,” the Turkish waiter said, studying Hazel’s face and then mine as we struggled to untangle her Aunt Bayleigh’s too long scarf out of the doors of the Turkish Coffee Shop. “Twins even.”

Hazel looked up from where the rusted hinges of the door were locked around the frayed green threads the color of a long Sunday. When she saw my face, she was as stunned as I was. We were both fifteen, too pale, too thin, hair too straight and too long to do anything with and the kind of brown that makes you invisible. I had never thought I was beautiful. I had a sufficient face, useful, everything where it was supposed to be. Nothing interesting or close to beautiful, but as I looked at her, it was the most beautiful face I had ever seen.

This is why my therapist thinks I am a narcissist. I told her I didn’t think we had any of those in Mississippi. Maybe in the city, but not where I was from. We didn’t even have cable.

And we sure didn’t have any lesbians. Not before I untangled Hazel Kitchen’s Sunday-green scarf and she invited me to join her for a cup of Turkish Coffee that got cold before either of us ever looked down. She had some fancy water, Calistoga. She offered it to me and I made fun of her for it. It was our first actual conversation. The only thing bearable about it was that her eyes had this whole story about what they wanted that was the opposite of everything she said.

“I wanted 2 kiss U,” Hazel Kitchen texted me later that night. My cell buzzed in my pocket while I was staring at an uneaten plate of pot roast at my grandparent’s kitchen table. I couldn’t eat. I hadn’t thought of anything but Hazel Kitchen since we met five hours, seven minutes and six seconds earlier.

“Come over 2moro,” I texted her back, when my family had gone to bed. And then I did what everyone does when you need answers. I googled it.

“LESBIAN,” I typed.

It was a good thing I did the research, because Hazel Kitchen didn’t really know how to be a lesbian either. She showed up the next day, looking better than anyone ever had, watching me through her jagged bangs with a look in her eyes I could feel under the soles of my feet.

While my mom baked apple pie for the church bake sale, I introduced them as fast as I could, dragging Hazel Kitchen by the sleeve up the stairs and into my room. My parents would’ve never let me close my bedroom door if there was a guy in my room, but it never occurred to them what Hazel Kitchen and I wanted to do to each other. I closed the door.

“My pastor says all the gays are going to hell,” she said, but she shook her shoes off carelessly and went diving into my bed as she said it.

“Well, if all of the lesbians are going to hell, why would we wanna go anywhere else?” I smiled, surprising myself.

“That’s a good point,” she laughed. “I’ll be sure to tell him that.”

There was a slow, hungry silence between us.

“I know what to do,” I told her, leaning in to kiss her. “I’ve been googling.”

“So have I,” she said, sitting up from the bed. “You got a towel?”

I hesitated.

“And some scissors?”

“What for?” I asked her, as I was digging through my closet for both. I handed them to her nervously.

“Trust me,” she said, pulling a chair between her legs. “Sit down.”

I sat shaking in the chair facing her. She put the towel around my neck slowly and studied my hair intently. “Trust me,” she said again. And then she started cutting. She cut my hair jagged, like hers, but shorter. Lesbian short. Lesbian jagged. As every hair fell, I felt more free. When it was over, she handed me the scissors.

“Your turn,” she said.

I cut hers exactly like mine and then we just lay there, looking at each other.

“What do you want to do now?” I asked her, too entranced to hear my mother coming up the stairs.

“Everything,” she said.


© 2011 Page Getz

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Trade Deficit (with introduction by Albert Abonado)

Dear Readers,

Over a year, poets John Gallaher and G.C. Waldrep wrote poems to one another through email, sometimes exchanging three or four poems a day. As the exchanges progressed, the poets recognized a third voice emerging within their poems that neither could claim as wholly their own. The result of all the exchanges appears in their collaborative book Your Father on the Train of Ghosts. Gallaher and Waldrep’s method represents one approach to collaborative writing. Others have exchanged lines or stanzas. The possibilities are seemingly endless. I selected the poem “Trade Deficit” from the collection for its wit and lyricism, and as representative of their collaborative work.

Happy Reading,

Albert Abonado

Trade Deficit

Do you have any

friends, the darkness asks,

and for a moment

you’re surprised: you expected

salt, maybe, or terror.

China has some wisdom

to offer on this point:

Learn how to make

a lot of things that are basically

useless and also

a few things that matter, then

flood the markets.

The trick is that once

the markets are flooded,

you must create new markets.

Darkness does this

all the time, knocking

at your door: Do you have any

mercy, it asks, any weapons,

any sugar, any stone.

© 2011 John Gallaher and G.C. Waldrep

Reprinted with permission from BOA Editions.

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Ice Cream Ride

Sitting on the top step of the porch of our brick and flagstone house on May Street. It had rained earlier in the day and the air was thick with the muggy smell of wet grass. Small puddles filled the chipped flagstone crevices of the porch. I was looking into a puddle watching specks of dirt floating and wondering what kind of ice cream I’d get today. My dad was sleeping on the couch again; I could hear his deep rich snores out here on the step. I had told him that Mr. Joyce, my Little League baseball coach, was on his way to pick me up and take me for ice cream. To which he answered without opening his eyes, “that will be fine”. Dad spent most of his time on the couch since he closed The Blarney Stone, his bar, mom said if his customers drank as much as dad did we would be millionaires.

I had a lot of ice cream that summer; usually after a game, Mr. Joyce would take me to the Prince Castle the ice cream place on Western just outside the city. He didn’t invite the other kids. Just me. We would go for long rides down side streets or along the forest preserves and get ice cream at the end of the rides. Mr. Joyce had been a coach for a while. I don’t think he was really very good at coaching but he let me play second base even though some of the other kids were better fielders and hitters than I was.

 

 

Coach’s baby blue Pontiac pulled in front of my house. I ran to it hoping no one saw me. I pulled the door open by the shiny handle it felt heavy resisting my hand. Mr. Joyce reached across the seat to help get it open. On the gray vinyl bench seat, his hand rested outstretched. I got in and sat as close to the door as I could and did not look at him.

“Hey Mr. Joyce,” I said

“Hey” he said “go for a ride?”

I didn’t want to ride today just the ice cream “how about ice cream first?”

“Usually we do the ride first, then ice cream, no?” He said.

I sat there looking out the window and I saw Al and Chucky playing strikeout in the schoolyard across the street. “Hey Al! Chucky!” I wanted to call out “ice cream?” I sighed. Looking up at Mr. Joyce, I said “ice cream first.”

The ice cream was usually one small scoop. But today, I was thinking more. Bigger. Richer. “Hot Fudge Sundae!”

“We usually get one scoop!” he said. Not today. We said nothing for a moment; “Okay.” he patted the space between us with his right hand. “Closer, come closer,” he said.

“Ice cream first,” I said. “Hot fudge.”

He sighed and snorted as we pulled away. I hated his snorting. It reminded me of our neighbor, the Sorenson’s boxer, who grunted and snorted at the fence whenever I walked by on my way to school, his nosed pushing through the chain link. The Sorenson’s didn’t much care for us, always muttering about “Shanty Irish” and “a disgrace“. They wouldn’t let their kids play with us, which was just as well because my house wasn’t right to have kids over anyway. When friends asked to come over my Dad was always too tired or one of my brothers and sisters was sick with the flu and might be contagious. He snorted again; I moved closer to the door, he patted the seat harder this time. “No. Ice cream first! Hot fudge!”

Another quick snort and we were off. We didn’t say much, maybe a few words about the White Sox chances this year and the game we had coming and “could I play second again?”

“Sure, but don’t be afraid of the bounces, put your body in front of them” he reached over to pat me a few times but only the tip of his middle finger touched my thigh which made me stiffen.

I was thinking thick hot fudge on vanilla. I love the thick warm fudge dripping over the white vanilla, sweet covered in sweeter, nuts sprinkled and gliding through the fudge. A cherry on top was optional as far as I was concerned, but a not a bad place to start the feast.

We got there, finally. I pushed the car door open forgetting to shut it behind me.

“Hey the door!” Mr. Joyce yelled. I kept going toward the faux castle facade past the sign with the profile of a dashing young Prince savoring a cone. Prince Castle. Once inside I was washed with a blast of cold air. It was always cold inside which quickly dried the dampness at the back of my thighs. I looked up at the menu behind the tall white and glass counter and saw that the hot fudge sundae was almost the most expensive at three dollars only surpassed by the banana split. I had made a good choice, though obviously coach was feeling the pinch. “Sure you want the Sundae, not a scoop?”

“Sure.” The girl behind the counter dug deeply into the brown vat of vanilla bending her elbow with the weight of her body to break the hardened surface of the fresh tub. I watched as she pulled the long ladle out of the silver fudge container my eyes pleading for more. I ate slowly digging my spoon into the sundae glass, allowing each spoonful to melt a bit in my mouth and finally getting the last speck, my tongue stretching into the small indentation at the bottom of the glass unreachable by spoon. I took a moment to savor my small victory.

 

© 2011 Patrick Moloney

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Wanted: Fat Girl

Maybe I bumped her elbow. It could’ve been something as simple as that: the catalyst. And when she turned around to see me, her response was habitual – not calculated. She saw my face and then looked down my body and back up again with disdain, then disgust, and then she finished with a small laugh of gleeful pity. The entire assessment and pronouncement lasted a full second – not more than two.

Could I have imagined the disdain – or has there been some past interaction between us to prompt her disrespect? No, I am anonymous – and I have spent a lifetime cataloguing glances such as these. I know the difference between a pullback that implies I’m taking too much space, and a step-aside that extends respect for someone who needs to walk past. I’ve been thinner too – and I know these glances suddenly disappear. (They are replaced by different glances, but that’s another story.) Those who don’t experience them often dismiss the social sanctions that take place in mere moments. Imaginations, paranoia. To those who know them, they are as real as the furniture.

To be fair, she had been drinking. To be fair, it was late at night and I was on her turf. That is, anyplace where the body is put into motion. I can sometimes get her respect in the classroom, or behind a desk, a place where my body is secondary to my mind. The hour and alcohol would only serve to drop the decorum she might use at, say, the post office. She would note my body shape and size, attire and demeanor at the post office too, but the schoolgirl glee at my perceived defeat is reserved for late night. For slight intoxication. For a place where she believes I am unarmed, unwelcome.

We had just left the dance floor and I think I bumped her arm. We’d been out dancing and the music was ending for the night. We were coming back to ourselves – the selves that are no longer ecstatically moving, bodies pulsing rhythm. We were coming back to the selves that have to find meaning in our own lives, make decisions about who we are, how we project ourselves onto the bright canvas of culture. The bracketed existence of dance floor anonymity was finished. And though I don’t know the woman who gave me “the look,” I know how much she needs me.

What causes one to offer disdain toward another and think it is warranted? The fact that it will be excused, or lauded, for starters. What causes a person to dismiss the humanity of another? A need to elevate oneself, for one example. And that’s why the slender girl on the dance floor needs me to be fat. She needs it, and while she thinks she doesn’t want me around, she wouldn’t know how to live without me. And her fear that she could be me, but isn’t, adds the gleeful chuckle of dismissal to the end of her affront. I give her life purpose.

By the bar, late at night – this is not the time for conversation, but I catch her eye and look for a moment with real compassion. This does not even take a second, maybe half a beat. I am so out of place in this interaction – not doing my job. And indeed, I know how to do my job – to avert my eyes and show her the shame that I feel. I felt it as a child, and still do at times when someone like her catches me unaware, the shame of forgetting that I am not credible, followed by the hot rage of unspoken justice. But not this time – and not usually anymore. I just look at her with compassion – so different from pity. I am not afraid I could be her. I know I could be her. And I know that my ability to practice kindness toward her will help us both – and probably others whom we haven’t even met.

I just stand and stare at her, thinking: I know how much you need me. Without me, you’d have to do something with your life in order to feel good about yourself. You couldn’t just gloat about not being me. You couldn’t use me as the ballast that keeps your head from floating away thinking of all of those on the dance floor who are prettier or thinner or shapelier than you. Without me, you’d have to make someone else your scapegoat, and it might not be so easy, if there weren’t obvious physical criteria involved. Barring replacing me, you’d have to focus on who you want to be within yourself – not just in comparison to others. I want to ask the kind of rhetorical questions that prompt reflection in a quiet moment: What must you think of yourself to elevate the size and shape of your body – perhaps what you do to make it so — to traits worthy of virtue? How little must you think of yourself to look at me that way and take pleasure in it?

Her glance also makes me know that she doesn’t know me at all. Does my demeanor say it: Maybe you didn’t know, but any fat woman you meet in a social setting – especially one who’s doing something that uses her body: working at a job, dancing, buying clothes, eating a meal – she has character and fortitude to spare for surviving a world that uses her as you’ve just done. Fat people may scapegoat others to find their self-worth, surely. If she thinks she’s so different than me, then she doesn’t know me at all.

I don’t say any of that, but for our similarities, I seem to know something she doesn’t see. She doesn’t actually need to DO anything in order to be worthy of respect and positive attention in the world – neither do I. It’s already done. We are already fine people, just as we are. Even as she puts me down, she does not deserve my put-down. How much lower can we agree to feel? No lower. No more.

I didn’t speak at all, standing on the edge of the dance floor, late at night. But if I could read her painful need in her quick behavior, perhaps she could read my truth in a simple stare as well. Perhaps she heard me say:

“Gentle, darling. No one deserves your derision. Not even you.”

 

 

© 2011 Kimberly Dark

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We see the carousel

We see the carousel

and at our age

we still can’t come anywhere near resisting

Three riders

brothers

forced best friends

“How far to Jerusalem”

The truest

realest

most unprovable things

are really funny

sometimes.

Crusaders, disciples, forced individuals

who probably would be on a quest, if they had one

but the impending night

the curly haired shadows

the goes without saying greatness

of shared experience

rides behind is

reminds us

that maybe

if we knew how far

to Jerusalem

to equality

to win her heart and our own

we probably wouldn’t ride

© 2011 Frank Possemato

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