Category Archives: Poetry

The Shock of Freedom

Have you ever caught a fish, then released it?

Took the hook from its cold lip,

its flat eye staring, skin iridescent.

Did you notice when you plunged it

back into water

how it paused

before darting away?

 

It is the same for a captured mouse,

a caged bird with door left open,

the man who freed himself from a fallen rock

by cutting off his own arm—

In each a pounding heart,

a mind that needs a moment

to register freedom.

 

In that moment

time hangs like a snapshot;

Something outside thought

touches us into wonder.

We stand on the threshold

of darkness and light,

self and other,

doing and being.

 

It’s that place on the playground swing—

the top of the arc, before gravity catches up:

the chains slacken, and for a second

we float.

 

© 2013 Kelly Eastlund

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A Light Poem

It is still, in both senses, a winter light
but it is a sound that will fade,
Miles Davis after the tune has played,
or the brass band all packed, in the bus.

 

Afterthoughts of snow, ice stay at the edges,
huddle at the walls of houses or in crevices
or in the shadows of a large tree or shed.
The cool exhilaration of the afternoon.

 

Summer light is infected with haze heat.
Everything blurs. Desires lose their shadow,
and sit on porches.  The world snores
as light falls dead into a glass of water.

© 2013 Dan Cuddy

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But Was It Love

But was it love

that stretched my skin

like a canvas on a frame

that made me levitate

over your face

on tremulous wings

just once

shivering above

your lips

around your tongue

just once, eternity,

from an absinthe pipe

I touched the sky

and you

I soared

my breath on fire

my startled blood

but was it love?

 

 

© 2013 Neil Ellman

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FELL OFF A HORSE

Choked out like a radio,
the fuzzy effort

of speaking the spattered dark
of salvaged blankets,

droop as blackness
and late hour wreckage,

commanded respect:
a twinge of blinked-up

thumping, of an old filmstrip
seen through an aquarium,

of approaching cuts
and beginnings.

 

© 2013 Elizabeth Wylder

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valvic

aorta

The heart is an engine, an engine, an engine. Four chambers thump away, an enigma, an enigma, an enigma. It is on the beach late one night, the tide full in, the shush of wave and wash full-echoing in the dark, her scarred, pitted face bright against a backdrop of cloud. In the syzygy of incoming water she is on her back, the moon in her eyes, panting, heavy-bodied, my mouth on hers, the bitter taste of coffee, fatal jabs to the heart.

The rock is a bed, the sky a cabin, the moon a lamp, and she is all I can handle and more, now one of the chambers of my heart has ceased to beat, closed its valvic opening, failed in its task. I feel sleepy, the rush of blood in my inner ear resonates with the to-and-fro of the ocean, and her body is laid out on the rock like laundry sinks into the porous sandstone, the rail of her tongue weakened, the shine of her eyes but a memory.

sapium

The scut, a young lad of no more than fifteen, sees me pouring sugar into the petrol tank. One of the intifada, he  leaves me on the flat of my back, the bullet lodged in the base of my skull, the exact spot where last summer a tick embedded itself and gorged on my blood. For weeks the skin was cracked, flesh exposed, its torsoless legs tunneled into the skin. The area around the tick hardened, crusted with yellow pus. Fingers found tweezers found tiny legs found purchase and withdrew them one at a time. The swollen area looks like a crater on a distant planet, now, the fuzzy image beamed back to earth from months away.

I am flying forward against a table by the pace of the shot, the collapse to bare floor a sinking into darkness—a signal. Even in unconsciousness the smoke spirals from the barrel, an exhausted trail of rapt witness. I am not dead, only stunned, the duck egg on my forehead caused by impact with a wall. Where the snub-nosed projectile struck is bare of hair since the tick incident. Maybe it’s the shock, maybe something else, but I blurt my pants, and the warmth spreads across my buttocks.

vena cava

The broken valves hiss and sputter and there’s a tightness in my chest from where the wires go in. Every day I swallow a cocktail of pills—blue, red, gray, white, small, oval, large, circular—and drain the tube that leads into the plastic bucket by my bed. I am spun thin in the bed, the numbers greening their way across the gray. Tongue thick, throat narrowed to a hair’s breadth, my fingers peel and crack, the tissue papery and forlorn.

The dizzying sun is behind the muslin curtain, a mirage of all the suns that came before it, the orbit elliptical, the stutter-stop-start a queer progression in the morning air. Once I lived across from a lane where we played French cricket with a tennis racket and pitched a threadbare ball through summer air. Now, the air is autumn, the systems shuts down, the last innings begun. The wind brings red hair and lost memories.

 

© 2013 James Claffey
Previously Published at Bong is Bard

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Horses

For long hours the horses have stood

in the rain,

in landscapes washed

by a stained canvas of sky,

quenched grass, a bruised green,

they occupy a torso of field

knowing the squall of the day will pass,

the focus of their stare

beyond hedges shaped by the wind;

from the Bucephalus of history

they sense ancestors at wars,

loaded carts and carriages pulled

through mud,

a focus within art,

the racing-reelers of cinema,

each eye haunted by echoes of arid plains

as the jewelled water exudes over them.

 

© 2013 Byron Beynon

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Three Bohèmes and Dachau

Three Bohèmes

—on the Avenue de la Bourdonnais

 

The lonely, never

Lonesome for long

Somebody always sits nearby

Opens a map, asks for a match

No one’s a Tour Eiffel

Standing solo in the rain

 

At a café table, young beards

drink and smoke

Stitch their old blue jeans

One perdon leads to a chat

To feet skirting puddles

Antique cobblestones

 

Five flights up, spiral stairs

swirl like smoke

A little this, a little that

We toast the Paris spring

We pigeons pecking

Loose-rolled leaves

 

© 2013 Jay Rubin

 

Dachau

—1933-1945

 

i

a bus skids to a stop

gray stones scatter like mice

 

from the sky, a light rain

a white, silky burden

 

suddenly, umbrellas

dipping through an iron gate

 

weathered wood, a wire fence

the words:  arbeit macht frei

 

ii

within the narrow hall

photos float, each a ghost

 

bald heads in zebra coats

a mound of chicken necks

 

one woman steps aside

another bumps my knee

 

iii

puddles pop with raindrops

   a pot of boiling soup?

 

steam rises off a roof

a warm cottage oven

 

iv

a german grabs a jewish girl

they kiss beside the stream

 

© 2013 Jay Rubin

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pony

he has a memory like a trap door and my mouth
is like a sieve.
i let him slide through my fingers like sand and i am
tentative
to let the last grain go.
but then i do
and to my surprise, he is still there
for me to scoop up.
and i like this game of hovering near one another
of having our hands
(sometimes just the fingertips)
in the wading pools of each others
back pockets
while we stay submerged
in ourselves.
i like to think we could slide along the whole world
this way.
attached at the pinky
slipped through the belt loop
held between thumb and forefinger
by a woolen sweater string.
the comfort lasso.
sharing meeting points
on mountain tops and huddling together
pouring out our adventures like
halloween candy trading
stories and sights
like
jawbreakers and pop rocks.
playful
sleepy animals
in secret cahoots.
and i dig his beard.

© 2013 Lauren Payne

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Birchbark Canoe and Doubled Trefoil

Birchbark Canoe

Judge a tree by its bark.

See it clear skinned

limbless. And, when you hear

 

it fall straight grained

and clear to the forest floor,

tap, shim and split it

 

open to the heart wood.

Know the knotless

stretch is for true gunwales

 

to skirt falls and run

braids to pools. Toothy

pike wait to bite

 

anything thrown beneath

your bent wood and bark

bottomed boat.

 

© 2013 TJ O’Donnell

 

Doubled Trefoil

“When you reach the end of your rope, tie a knot in it and hang on.”

-Thomas Jefferson

 

1.

 

You should be happy

as the days grow

longer, leaning into the heat

 

and light of forgotten

sun. But March, month

of fast snow, melt

 

and refreeze, month

of trefoil shamrock,

dream seen back-stab,

 

has fallen for you

short and makes ends

meet by hanging on.

 

 

 

2.

 

Spliced ends fused

smooth to seamless,

but not before

 

an overhand twist.

Fine printed contract,

track-changed

 

prenup preceding

the final handshake,

the first kiss.

 

There was not

another way to make

this country.

 

 

 

 

 

3.

 

What math calls nontrivial,

we call dead serious–

the three-fold promise

 

of radioactivity,

eminent biohazard,

green arrows of reuse.

 

This is the season

of becoming, rebirth

of the enzymatic snip

 

and shuffle of twined knots.

Recombine and climb

our ladders ever upward.

 

 

 

 

4.

 

Man. Wife. Child.

Three loops from

one curved line.

 

Etched charcoal on rock

face, ink press printed

epic album cover

 

(the vinyl threaded

and gloss black

 

beneath), an amateur

tattoo in a hot tub

on a stranger’s ankle.

 

 

 

 

 

 

5.

 

The congressional

red, white, and blue

wig itch

 

and the heat beneath

hats and band sweaters

as feet slap-march

 

the beat down small

town main street blacktop.

Trumpet blasted

 

triplets, padded stroke

of the bass drum mallet

behind a colonnade of brass.

 

 

6.

 

Your faces are my face,

twisted in knots.

The ink gun promise,

 

sacred shake of

bass, hand on heart,

God and country.

 

And the rest of us

sweat in wool

under the atomic

 

algorithm of untying

solid planes

from knotted ether.

 

© 2013 TJ O’Donnell

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I Remember When

this bottle of bourbon would have been tipped down the drain, but that was then.

Tonight, I lost my resolve to Jim Beam’s red seal. Now, in my fist, I see your bald head. You open your eyes, and I say,

The slow undress. The nesting of your hips between my thighs. Remember?

But you are liquor limp and slipping from my fingertips.

Why did you come?  

You didn’t. I’ve just been drinking. Until my vision is paper thin delusion. Again.

 “Hello, my name is—

I have forgotten so many things.

—And I’m an alcoholic.”

But I remember when you were too sick to stand straight. Yet, you drove me to AA.

I remember when I promised you I’d quit (three dozen times). And begged you to stay.

I remember you leaving.

That day: I stood on our doorstop. A bottle hung from my outstretched hand. In the other,

I held the remains of my over-sized love. I could say I remember when, but

you are still in my fist. And this is now.

 

© 2013 Erin York

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