Monthly Archives: February 2012

Editor’s Pick: Chera King

While Deborah Graber’s pieces are always funny, this one is by far my favorite. The crux of this piece has to do with the infatuation and obsession of the unreliable narrator, but the paradox is that we all really crave this kind of life. The reader can relate.
Through the naive and often juvenile comparisons, Deb draws the reader into an L.A. fantasy that transcends setting. She is creating a world that everyone recognizes through pop culture references that grow increasingly off-the-wall. The humor is in the absurdity.But my very favorite part of this piece, is the cadence. The rambling, long sentences lend a sort of stream-of-consciousness and excitability to the narrator’s voice, punctuated by the conversational “yeah”s at the end of each section. This is great stuff!

-Chera King, Editor

Sofia Coppola is My Favorite (Excerpt)

by Deborah Graber

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Time Out of Joint

In the dream it was a hectic day.

The animals were restless, disturbed,

sensing something in ways I couldn’t:

a bark, a mew, a clarion call.

 

The ghost called on the phone

and it was great, just like old times.

We talked sports, job, family, perhaps

even something as mundane as weather.

 

The connection was surprisingly clear,

a testament to satellite communications

from beyond the grave, which reminded me

of the unusual and special circumstance.

 

I asked how things were with him,

wherever he is, in that mystery place,

and he said, “I’m under a lot of pressure.”

It was news I hadn’t expected.

 

Soon after, I awoke.


© 2012 Gary Glauber

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Editor’s Pick: Bryan Burch

I don’t know Edward Hagelstein. I didn’t read BRAIN SPANK before we published it last July 14th. (I was reading other submissions, I suppose.) In fact, I didn’t read Edward’s short story until we decided to look back into our weekly postings and select some of our favorites. What grabbed my attention was how coolly and irreverently the reader is introduced to this f**k-up of a protagonist and how quickly and obliviously he slides further and deeper into doo-doo. Who’s fault is it? Why, Brain Spank, of course, “a giant alcohol/caffeine drink that supposedly packs the equivalent of five beers and three cups of coffee.” Hagelstein’s narrator has a delicious way of veering in and out of his character’s cluelessness while maintaining a casual but prescient relationship with the reader, as if he’s saying, I know we’re all buds here, but this A-hole is a mess. Hagelstein opens his story with the offbeat image of a cop shooting himself in the foot and by the time the story is finished a couple more feet have holes in them. I hope you enjoy BRAIN SPANK. If you didn’t read it last July, now’s your chance for “simultaneously getting hammered and staying alert.”

—Bryan Burch, Editor

Brain Spank

by Edward Hagelstein

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The Blue Cervix

Tarleton perches on the exam table in a gown, her thighs pasted to the runner of waxy paper like she is her own favorite mayo and banana pregnancy sandwich. Hugging her stomach she wonders if her baby will like the color red, the taste of cherries, and the feel of velvet; or will it be green her baby loves, the emerald world of frogs and grass. I can’t wiggle my toes, she thinks. My feet are swollen bread loaves with grape toes.

Earlier she’d drunk a sugary liquid and now sits waiting for the man-nurse, Wystan, who comes with the butterfly syringe. She was fine sitting there. Now she’s not fine. Someone coughs in the hall. Wystan enters, a cart following him. Tying the tourniquet above her elbow, he finds the crook of her arm and sees how she shakes and has to be calmed before he can slip the thin needle in. She turns away as the vial fills with rubies.

“You’re not the only patient with blood phobia,” Wystan says. “When I walk into an exam room I might as well be a hurricane. I’ve seen women that afraid.” He likes to talk, to speak of tropical storms and earthquakes. The eleventh tropical storm of the season is out there. It has teeth and an appetite. Hurricane Wystan, he calls himself. He’s a winker. The first vial is capped and another to be drawn. When Tarleton glances she sees red cinnabar moths flying into the vial.

When he leaves he closes the door tight. There aren’t any stories in this room. She listens. The hallway has more. There are secrets kept and revealed here, but the examining table and metal surfaces are too silver and shiny for them to stick. Footsteps approach, then fall back. Her eyes wander the ceiling’s low white sky. The baby is a little seahorse, hers alone. She picked the father for his quickness, for his not-too-short or too tallness. She saw him each day. In her mind she called him the boy because he looked younger than her, although not by much. He smiled more with his dark eyes than his strong white teeth.

Her hands hold her stomach, her fingers touching each deep breath her body takes. Her diaphragm is being squashed by her expanding uterus. She imagines herself as a five-year-old in a burgundy dress with velvet sash and a cancan. Her birthday party. She’d blown up a balloon and when it popped pieces flew to the back of her throat. The instant she couldn’t breathe she felt free. A bird escaping the cat’s daggers. How far away the people around the tall strawberry shortcake seemed. Breathlessness made her float as if she would soon dissolve into bits of silk ribbon. She had no mother who wished to hold her to earth. Struggling to breathe, she gulped in air and panted.


The door opens and Tarleton turns, her face expectant. But it’s not soft-spoken Doctor Lynette Roby. Instead it’s a thin, blond man with a long nose overlooking his white lab coat and stethoscope who takes her hand. He is shaking it, pressing his cold palm against hers. His hair, combed back from his forehead, is long enough to tuck behind his ears. He tells her he is replacing Doctor Roby. He tells her his name is Doctor Liszt. The name sounds familiar.

He helps her lie back on the examining table. Maybe he thinks she won’t miss Doctor Roby because his eyes are so very blue—the cobalt-blue of her childhood’s glass pig-bank. The one she used to feed dimes, quarters, and twigs. Half dollars were too big for his mouth. Her grandmother owned Laundromats. Her clothes rained quarters. When Lester the pig-bank broke, she gathered up all the blue glass and planted it next to the chinaberry tree. She waited for a tree of slivery blue leaves. Branches jagged like shards of broken Lester. She watered the ground with her tears.

“Any vaginal bleeding?” he asks, seating himself on the wheeled silver stool. He turns a page in her file. A bulldog clip holds her first and second trimesters.

“No.”

“Any irregular contractions?”

“Some.”

He wants to measure her cervix. A mirror, light and speculum opens her. The hidden world. She thinks of the deposit of semen injected high into the cervix with a needle-less syringe. She decided on the boy herself. He was twenty-one. A cashier at her neighborhood Stop N Go; a boy set on saving money to become an herpetologist; a boy who would eventually return to his native Bangladesh.

“How old are you, Tarleton?”

“Almost twenty-five,” she answers.

“We’ll be taking a repeat gonorrhea test.” He pronounces gonorrhea like an entrée in an expensive restaurant.

“Why?”

“It’s routine.”

Her cheeks burn. “There’s no reason. The baby is from a sperm bank.” He pauses to look at her. Is he surprised that this pretty dark-skinned girl chose a donor? This girl with high cheekbones and pale green eyes is likely partnered with another pretty girl. But he can’t see everything, sitting as he is on the metal stool with four wheels. Maybe he loves to roll like she used to roll, up and down, up and down. Then he sits, draping the sheet between her legs. His fingers examine her ankles.

“I’m retaining water,” she says.

“That’s normal. How are you sleeping?”

She thinks of her body and how it took in noises from the street, and the gospel singing of mosquitoes through the thin walls of the apartment. The baby listens to everything. The baby is listening now. She feels the cold of the speculum. “You have extremely pleasing eyes,” he says, looking at her blue cervix. Her leaf-colored eyes aren’t there.

“I thought Doctor Roby would be with me,” Tarleton trembles. Her skin is clammy, her skin doesn’t like the wax paper sheet, doesn’t like him looking.

“Won’t your partner be with you in the delivery room?” he asks.

“I don’t have a partner. The baby and I will be everything to each other.”

“Maybe you can ask your mother to be with you.”

“Who?” Silence swallows the room. Her grandmother said Tarleton’s mother had an aneurism during her delivery. Should she share that fact with his face or the ceiling’s perforated holes pricked by a million butterfly needles? He unsnaps his rubber glove so forcefully. Like he is angry at her. Angry that she is the cause of him having to put it on. “A berry aneurism?” His eyes turn opaque. Blue plaster. “What was the outcome?” She shrugs as if she doesn’t know. But she does. Her mother died. Her mother became stillness. There was a lawsuit that became a handsome trust fund. She wonders if the baby inside her, a girl-child, could be her mother returning. “Cheer up.” he says, closing her folder and patting her shoulder. “You’re young,” he repeats, already most of the way out of the room. “Stay active. Keep exercising.” Tarleton sighs not loud enough for the light switch to hear or the glove that touched the inside of her body withering in the wastebasket.

She thinks of the boy’s dark eyes so intelligent behind his glasses. How quickly he gave change. He already knew the total before the electronic sensor touched the bar code. He knew things about her. That she didn’t require a plastic bag. That she refused to add to the reefs of plastic in the ocean that choked dolphins. That she preferred paying in cash. Sometimes, handfuls of quarters. It was this knowing that led to him telling her he had a discovered a frog in the Chittagong district of his home country that had not yet been classified. There was an article in a newspaper on-line. She asked many questions of him. What his favorite time of day was? First light. Did he sleep well at night? Always. Did he like the color orange? Yes, when the sun dropped into Bay of Bengal at dusk, orange swallowed the world. Then the day came and she asked him to be a donor. Hers. He would be paid. She bought ice cold water, a coconut ice cream bar.


In the waiting room the TV is turned to pregnancy yoga. A big woman in black shorts on her hands and knees curls her toes and raises her hips. Her legs are great marbled cuts of beef. Wystan coming down the hall gives her a thumbs up. Doctor Roby shouldn’t have left without telling Tarleton goodbye. Clutching her cell phone she starts down the uneven sidewalk that passes the nursing college and Herman Hospital. Cathedrals, blue-white in the sun. Cars pass. Traffic is a blur. Buildings are sharp-edged, like scalpels. She hopes the little seahorse doesn’t mind. It’s good for both of them to walk, so said the blond, thin-nosed doctor. Before the lawsuit she lived with her grandmother in a three-story yellow house with wraparound porch and bamboo shades that broke the sun into slanting pieces that the ceiling fan stirred.

The heat in this city is always spoken of. The most air-conditioned city in the world. It was flat out heat like this, the day she and the boy walked together to the clinic. He wore a long-sleeved shirt and his dark hair was freshly washed. Sun glinted from the black centers of his eyes. He said things to her. He would like to know her better. She could teach him. Did she know how to play marbles with sea shells? Had she ever seen a swamp deer? The male antlers have twelve points. He was nervous. Like a swamp deer. He felt the great honor. Thank you, he told her. Thank you, he repeated.

Her dress liquefies and the nylon material sweats flat against her body. She feels as if she is walking naked. Doctor Roby didn’t tell her goodbye, and neither had she told the boy goodbye. Is my conscience clean? Will I be a good mother if my conscience needs washing? Twice a day for months she’d talked with him; he spoke good but not perfect English; yes, frog hunting in brackish ponds near the ancient temples he’d taught himself English; old science journal articles were sometimes written in German and so he learned German, that’s how smart he was. The day he accompanied her to the clinic; she gave him a check for more money than he could believe. For doing such a thing.

She keeps walking through the heat and as soon as she thinks she is almost home another block unrolls itself. There are smells of warm dirt and leaves. Along the sidewalks she notices beige gravel like broken teeth. Yucca plants, fleshy daggers poke into the sun. Her head sweats like her skin, perspiration trickling into her eyes, perspiration running from her chin, from her ears like water diamonds. Walking she rocks, knowing the baby likes the motion of going. We will be everything to each other. Why, the boy asked, don’t you want to make a baby in the ordinary way? Are you afraid?

She turns onto West Dallas Street. The cars go faster and not a hint of a breeze. Someone in a passing truck honks. “Mamasita!” Squat brick apartments with oxidized lilacs. A man in overalls at the corner holds long pruning shears. The giant tongs click at the bush’s pointed yellow tips. She goes on between lawns stamped brown by the scorching sun. She needs no one but the life inside her. Behind the blue cervix is the hidden word.

 

 

© 2012 Stephanie Dickinson

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Editor’s Pick: Jennifer McCartin

Simona Supekar’s “The Origin of Zero” redefines Zero as a  powerful identity in the post-colonial imagination. A catalyst for the love between two people, the Zero asserts its history while forging a deeply personal future between the speaker and her lover.

I selected this piece because it’s well crafted, compromising none of its complexity through its clean lines and impressive word economy. I look forward to reading more from this talented writer.

-Jennifer McCartin, Editor

The Origin of Zero

by Simona Supekar

 

 

 

 

 

 

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The Accomplice

 

You’ve quite the paper trail

by now, an account of sticking

to what you know:

kaleidoscope of club kids

dancing to the language of ten

-dollar drinks, hand-on-knee,

lip-to-ear, sharp white

teeth and red

lips with nowhere else to be.

 

You used to wear these

headaches like a badge,

proud not to know

how you got home this time,

but suddenly a year has turned

over onto its back

and you start to

wonder why you’re still counting

change, saving up for

that tattoo you don’t even want

anymore.

 

Memory of a ghost-girl’s

prophecy smile glints

trouble in your mouth,

lit like a lampshade in

a room you left months ago.

 

She was right—

You’ll never rearrange

all those wrong names

at the bottom of Tuesday’s

empty bottle or Thursday’s

ashtray.

 

All you really wanted was

a woman you could rob

a bank with, a drink-throwing

chick who looks good with a gun

and laughs like a lit cigar.

She’d hiss your name like a secret

password and paint

the charm on

thick like eyeliner.

 

You were close a few times,

hung up on the glow of

escape clause attraction,  but

you can’t keep a phantom

drunk enough to quit

looking for a way home.

 

In the end, they’d always leave

you in their dust,

brace for the whispered

daggers of their own names

at their backs.

 

A small town sort of city hates

a woman with big ideas

who knows how to pack light.

 

Sometimes they come to you

as you shiver into sleep,

and you worry

they knew you

like gravity does.

 

And they were all so

pretty,

like war propaganda, their eyes

burning

for the next town you’ll never see.

 

© 2012 Jess Cording

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Editor’s Pick: Lauren Cummings

My fellow editors and I had the privilege of getting to know Stacy Furrer while we were all getting our MFAs. Stacy was there when TWF was just an idea, she was one of our first contributors, and has continued to be one of our biggest supporters. She has generously contributed work from her memoir and served as one of our Guest Editors. I have read her excerpts published on The Whistling Fire multiple times, and am always struck by how far removed they seem from the Stacy I know. Her dark, sometimes funny, catharsis seems a world away from the easy to laugh, single mother, who enjoys romance novels.

Reading her work in excerpts is like looking through a peep hole. I can see smart parts but not the whole. I am compelled to continue on the journey with her and finally see the entire picture, yet terrified of where the journey may lead me. And it is that which brings me back to this piece time and time again.

-Lauren Cummings, Editor

Mama Sings the Blues (Excerpt)

by Stacy Furrer

 

 

 

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The mock turtle’s story

I pass by the store where you work on my way home. I have been crying since I got your final text. We are over. We are over. We are over.

 

My wife, Holly, and I get home at the same time. We ride in the elevator together. She says nothing. Inside, she goes to the bathroom. She closes the door. We don’t usually close the door when we go to the bathroom.

 

I sit on the couch, and put a pillow in my lap. She sits on the other end of the couch. She looks at me. I start to talk. Our story unspools rapidly and not in chronological order. I can’t remember when you met my son, Avery, and how often you hung out with Avery and when I told you I loved you and when we stopped using condoms and when I started thinking your drug use was out of control, and the stories keep coming, and I keep unraveling, and Holly is quiet until she starts to cry, and I keep talking until I have nothing left to say.

 

Help me, I say. You’re the only one who can help me.

 

Help you what?, she asks.

 

Write him. Tell him I’m sorry. Tell him that I didn’t mean to hurt him. You know me best of all, Holly. You and he know me. You can get through to him. He will listen to you. You can tell him what being in a relationship with me is like.

 

I know I’m asking her something I have no right to ask her, but I don’t know what else to do.

 

I know he loves me, I say. I love him.

 

She is still crying.

 

I will think about it, she says. I give her your e-mail address and phone number.

 

We have to get divorced, she says, not because you fell in love with someone else, but because you deserve to have the next man who wants to marry you, or who you want to marry, work out.

 

Would you consider staying married until after our child is born?, I ask.

 

Yes, she says.

 

I think I am in shock. I think Holly is in shock.

 

She goes to the bathroom. I know she is going to the bathroom to cry. She doesn’t want me to see how hurt she is. When she comes out, she has taken off her engagement and wedding rings. She has never taken off her wedding ring, not even when Avery was born. She has taken off her engagement ring plenty of times when she has been angry at me. I see she has taken off her rings, and I take off my wedding ring. Even though I had taken off my ring when I was with you, my finger now feels strange without my ring, or maybe I feel strange sitting with Holly without our rings on.

 

What did he know about me?, she asks.

 

I never told him we were married.

 

She walks into our bedroom and sits on the bed. She comes back into the living room, sits at the computer, and composes an e-mail to you. I don’t have to ask to know what she is doing. She loves me, probably more than I deserve, and because she loves me, and because she wants me to be happy, she is doing what no other wife would do.

 

Holly leaves to see a friend. You have not responded to the e-mail. Before I get Avery from daycare, I call the Hawthorne Hotel and cancel our reservation. I can’t return the swan boat tickets. On my way to Avery’s daycare, I stop at a Walgreens. I go inside, not for anything specific, but in the sleep-aid aisle I pick up a box of Motrin PM. I am tired. I need to sleep. I think the cashier knows what I am going to do later with the pills I hadn’t known I went into Walgreens to buy.

 

I get Avery. I hug him tightly. He says, daddy, down, down, daddy down. I put him down. He holds my hand as we walk across the parking lot to my car. Ummies daddy?, he asks. I have some crackers in my car, and I give them to him. At home, I put macaroni and cheese on a plate and put it on the kitchen table. I put cookies and crackers on a table in the living room. I fill three sippy cups with juice, and I leave them where Avery can reach. I lock the top lock of the front door so Avery can’t get out. I fill a small glass with some white wine. I open the Motrin PM box. I put the box in the bag I carry to work. I don’t want Holly to see the box in the garbage can. I open the bottle, look at the pills, tilt the bottle toward my mouth, and I dump in as many pills as I can fit in my mouth. I swallow them with a little white wine. I swallow the rest of the pills in the bottle, and I finish the white wine I have in the cup.

 

I check Facebook. You and your friends have blocked me. I have no Facebook friends. They had all been your friends. Using Holly’s account, I look for your profile. You have changed your relationship status to single. I send an e-mail to your mother. I thank her for caring for me and for Avery. I apologize for hurting you. I tell her I hadn’t meant to hurt you. I tell her I wish I had gotten the chance to know her better. I send an e-mail to one of your friends I had met at the party. She, I had thought, was the nicest. I tell her I hadn’t meant to hurt you. I tell her I wish I had had the chance to know her better.

 

I lay on the couch. I look at our text message history. Nearly 27,000 text messages. These texts are our history, everything we had been. I delete the chain of text messages. How easy to delete our life together. Less than a minute after hitting delete, everything is gone. I cannot delete the pictures of you, and of you and Avery, and even the few I have of me with you or of the three of us. I cannot delete our AIM history, because that is how we first communicated, and that is how you told me you needed to talk to me the night you asked me to date it out. Deleting everything means you are totally gone.

 

The Motrin PM won’t be enough, I think. I get the Melatonin out of the bathroom, and I take what is left, about 30 pills or so. I just don’t want to feel. I want to never feel again.

 

I go into the bathroom, turn on the faucet at the sink, and begin to shave, but the razor is mostly dull from Holly using it to shave her legs. I shave in awkward strokes. I cut myself. I cannot feel my hands. When I am done, I know there are patches of hair left, but I need to sit down. Someone else will finish, I think.

 

I call my brother, mostly to say goodbye, but also because he has called and texted several times. What’s going on?, he asks. When you blocked me on Facebook, you also blocked him.

 

I tell him what happened. While I talk to him, I feel myself begin to fade. I feel myself disappear at the edges. I cannot feel my head. I feel the phone drop out of my hand. I cannot reach for it. I still hear Avery playing with his cars. I wonder if he will remember me, or if he will only remember me as the man in the pictures with him.

 

I think you have already moved on. I think you have already slept with someone. Maybe more than one someone. I think you have already traded necklaces with someone, and asked them to go steady.

 

I call Holly. I need you to come home, I say.

 

Later, she says. I’ll be home later.

 

I sleep. Holly finds me on the couch. Avery is asleep on top of me. She changes his diaper and puts him to bed. Are you OK?, she asks.

 

I’m fine, I say. I am slurring. I just need to sleep, I say. I am so tired. Let me sleep.

 

What did you take?, she asks.

 

Just some Melatonin, I say.

 

How much?, she asks.

 

Just three pills, I say.

 

She looks for the bottle, but I have hidden it since it is empty. You took more than three pills, she says.

 

Maybe four, I say.

 

You need to go to the hospital, she says.

 

No, I say, I’m fine. I’m going to be fine. Just let me sleep.

 

She tries to get me to agree to go to the hospital. I tell her I am fine. I lay down. She goes to bed in the bed we used to share. I think that I will probably wake up later. I don’t want to wake up later.

 

In the morning, I think I have failed. I cannot even kill myself. I do not feel like myself. Everything today is different. I have been changed in the night. I am not the same this morning as I was yesterday morning. But if I’m not the same, then who am I? A great question. Who am I?

 

I am unsteady on my feet. In the bathroom, I finish shaving. I tell Holly I cannot go to work. I call my boss and tell her I am sick.

 

Holly, Avery, and I spend the day together mostly in silence. Holly doesn’t want to talk to me, and I don’t know what to say to get her to understand. She talks to her parents, but does it in the bathroom. She texts several friends. The word is spreading. There is no containing what I have done. I have now been outed. There is no retreating into the world Holly and I once occupied. I am gay. No take backs.

 

I think I could try pills again, but decide that later, after Holly and Avery are asleep, I will sneak out – as I have grown expert at doing – and I will drive to a nearby bridge and jump off. Jumping off this bridge makes perfect sense. All I have to do is leap. I’ve spent the last six-and-a-half months leaping away from everything I’ve known, and leaping toward everything I’ve wanted to know. Leaping off of a bridge should be easy. Only later do I think that neither suicide attempt was because of you. I was afraid of what living as an openly gay man meant. I was afraid of losing Avery. I was afraid of never feeling for another man how much I felt when I was with you.

 

Holly takes Avery out into the hall to play. While they are gone, I record a suicide video. Of course I record a suicide video. Everyone records a suicide video. A way to say goodbye. A way to explain.

 

I had been taught at an early age to hate myself. Don’t be gay, I heard over and over. Gay men aren’t happy. Gay men can’t have children. Gay men aren’t faithful. Over and over. Taught to hate myself. Never knew how to like myself. Never knew that I was looking for someone to like me, to teach me how to love myself.

 

I thought you were the one.

 

You told me you were the one. You told me I was the one.

 

I promised to love you unconditionally. But I guess I lied. I only wanted you to get sober. How could I tie myself to a man who gets high every night, and then lies to me about it? How could you expect that that was the future in which I wanted to invest?

 

I eat a piece of your birthday cake for dinner. I had not eaten yesterday. From the couch in the living room, I watch the sun set. I think this sunset will be my last. Sunsets are wonderful, when you’re feeling sad.

 

I’m tired, Holly says. Will you be safe if I go to sleep?

 

Can I sleep in bed with you and Avery tonight?, I ask.

 

Yes, she says.

 

I will stay on my side, I say.

 

I watch Avery struggle to fall asleep, and then he falls to sleep. Holly eventually falls to sleep too. I whisper her name. She doesn’t respond. I put on my shoes. There is no other way, I think. My head hurts. I just need to stop hurting. I never thought about the end during our beginning. I never thought our beginning would end.

 

Outside, I look at the sky and the stars, and as I had thought on the Fourth of July, I think you are also under these stars, probably with someone, probably high. I think in time you will be consoled, because everyone, eventually, is consoled. I hope in time you are happy to have known and loved me.

 

Once I’m dead — because I cannot think about the actual act of dying — but once I’m dead, I can sleep. I will not know another day without you. I will not have to see the way Holly looks at me: Disappointment. Sadness. Hate. Pity.

 

On the bridge, I look for the best place to stop. I turn off my engine. I put on my hazards. I open the driver’s side door and get out. I see headlights behind me. Another car. I get back in the car, wait for the car to pass, drive a few feet further, get out again, and this time I close the door behind me. The bridge feels unsteady under my feet. The bridge sways. Gravity holds me to the bridge. I am trying to fight gravity. I no longer want to fight gravity. You had pulled me out of my orbit. I no longer know which end is up. I think that love is like falling, and falling is like this, and my heart feels like it is gone, and all I have to do is jump, and then I will fall, and then everything will be done.

 

What is left behind seems so broken. I cannot think of myself as a person. Our when-not-if future will not happen. I have been erased. I am going out altogether like a candle. I wonder what I will be like then. I have not seen what the flame of a candle looks like after the candle is blown out.

 

More headlights. More cars. I get back in my car and keep driving and then I’m past the point where I think the fall will kill me, and I decide I will turn around and jump from the other side. I pass the Charles River and the playground where you and I had played with Avery five days ago. I don’t want to die, but I don’t know how to live anymore. I’m crying. I call Holly. I need help, I say.

 

Where are you?, she asks.

 

I’m at the Tobin Bridge. I was going to jump. I don’t want to die.

 

Come home, she says. We can get you help. Come home.

 

OK, I say. I’m coming home.

 

Do you need me to stay on the line with you until you get here?

 

No, I say. I’m still crying.

 

Just come home, she says. Everything is going to be OK.

 

And she was right.

© 2012 William Henderson

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