Monthly Archives: November 2011

seven seeds

I’m listening to where the fire

from his father’s manifesto, fingerprints

on aluminum, I don’t know how

love want to be burned

to respond, is he still

little things separating

rice from stone.  Nothing neutral

 

rustling for my little mean men

without such violence, tamarind,

turmeric.  Osiris pretending to be

burned down to my nerves

fish eyes, she cries mustard seed. 

I become slow, slow, sour.  I mean

not be person then but story

not tree but root

everything ripples under

a malignant sky, I try

the storm this trick: these

unexpected bodies bottle of star anise who return

even as its lines burn to close.

 

© 2011 Ching-In Chen with the Collaborative Manifesto Remix Project

* Italicized words from Todd Wellman, Anna Catherine Coyle, Bushra Rehman, Carol Gomez, Hari Malagayo Alluri, Paul Ocampo, Melissa Morrow, Leah Lakshmi Piepzna-Samarasinha, Melissa Sipin, Rachelle Cruz, Evangeline Ganaden & Monica Hand.


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Momos

She found herself in a rented an apartment on the North side of the Chicago where she knew she could easily get her bearings—as if that were a metaphor for getting her bearings in the whole of her life. That was the thing about Chicago, it always feels like home. In some kind of primal, sensory way. The clatter of the elevated—the smell of kosher hot dogs—the car horns, the sirens–the feel of the icy wind on your cheek—the musical litanies of the neighborhoods: Wicker Park, Wrigleyville, Pilsen, North Shore, Lakeview. She holed up in that apartment for months while the grief worked its way through its stages. Shock—anger—depression—small stabs at acceptance. Old friends called to see if she were alright. And she was alright. If they would only leave her alone for a while, she would be alright—surely.

She took to going to the noodle shop at the corner of Lincoln and Addison where she absorbed herself in the consumption of momos—Tibetan dumplings, tender with savory fillings. This was really only the only food she could manage to eat. And while she sat there, her thin frame hunched over the plate, she thought of Tibetans—mountain people—sherpas—yaks—Everest climbers. For some reason, this was a nourishing exercise, not only the noodles but the thoughts that accompanied the noodles.

It was November. The first Chicago snow tickled her face as she trudged to the noodle shop at mid-day. She ordered—sat—took her first forkful—and began thinking of oxygen tanks they brought up the mountains to keep from getting altitude sickness. How some people refused them, but it was so dangerous to attempt to go without. Her eyes came up and suddenly met those of a Chinese man sitting two tables away.

“You seem to be enjoying those momos,” he said. “No question, they’re the best in town.”

She wiped her lips.

“They are my weakness.”

He pondered this. Then, in a businesslike tone, said, “Have you tried the ones at Tan Chew’s on Belmont? Not quite as good, but an interesting filling all the same.”

She liked that. That he found it interesting without being the best.

“No, I haven’t. I’ll make a point of trying them.”

He attended to his tea, which she knew was hot and strong and invigorating. Perfect for the city’s first day of snow.

“Not many people know what momos are,” he said. “I come here for the Vietnamese pho myself—one of the best you’ll find.”

She thought he had almost said ‘not many Caucasians know’ but had caught himself.

“I haven’t tried it yet, but I will take your recommendation.”

He seemed unaccountably pleased by this.

“I’ve made a bit of a study of the restaurants in this city—during my business pursuits—I can tell you the best food at the best price anywhere in Chicago.”

She contemplated him as she took a bite from the momo.

“What business are you in?” she finally asked.

“Advertising.”

She nodded.

“If you’d like some advice about where to go—any cuisine, you name it—Asian, Mexican, Lebanese–.”

“Well, Chicago certainly does offer just about anything—but I’m afraid I don’t go out much.”

“Except for momos.”

“Yes—except for momos.”

For some reason, she felt he was pondering the possibilities of the situation. And she wanted to head him off.

“I’ve only just moved back to the city—after my husband’s death. I’m still getting—settled here.”

He carefully wiped his hands on the napkin.

“I’m sorry for your loss.”

“Thank you.”

“How long have you been widowed?”

She couldn’t quite remember, but grasped at a small detail remembered from her return to the city. The forsythia had been in bloom. She remembered that. Yes. Beautiful yellow-flowers amid the melting snow.

“Since the spring–March.”

He nodded and got to his feet.

“Yes. Well—it was very nice talking with you.”

She smiled vaguely.

After that, he showed up time and again when she was there. Before talking with him that first time, there was no consciousness of his presence. City-style. Now she had to acknowledge him—every time.

Before long, he had cordially asked if he might sit at her table with her. The talk centered on him. The story of his coming to America—his stint at a Midwestern university where he could get no dates—his spate of engineering jobs—his divorce—his present business. All she had to do was listen through his accent and let him paint the pictures for her. It was something that took her away from her own thoughts. Like the momos—and the thoughts that accompanied the momos.

One time, as they sat together at the table, his conversation took an unexpected turn.

“I was wondering—maybe you’d like to attend a concert with me on Friday. It’s a jazz quartet. I heard they’re quite good.”

“I’m afraid I can’t. I’m sorry.”

“Oh—I see. Perhaps another time.”

Their conversation went on to other subjects without missing a beat.

But another time, weeks later, as he finished the pho, wiping his hands carefully on the napkin, he tried again.

“There’s a Van Gogh exhibit this Sunday at the Art Institute. Perhaps, you’d like to go with me?”

She pushed the remains of the pale dumplings around on her plate with her fork.

“No—I’m not ready. I’m sorry.”

“When will you be ready?”

“I don’t know that I ever will be ready.”

“It’s because I’m Asian, isn’t?”

“Don’t be manipulative.”

“I’m not being manipulative.”

But then, he realized he was.

“Oh—now I feel terrible. I feel totally humiliated,” he said.

She gave him a wry look. But even that didn’t deter him.

Soon, he became so insistent, she had to stop coming to the noodle shop for momos. Which made her sad. And made her sad to think she had made him sad, too.

A few weeks later, she returned to the noodle shop. She placed her order and sat down to once again enjoy the quiet contemplation while she ate. A young man came in, placed an order, and looked around the empty shop.

“Great food here, huh?”

She smiled and went back to eating.

“What do you have there? What’s that called?”

“Momos.”

“Momos.”

“Tibetan dumplings.”

“Never heard of them. They good?”

“Very.”

“What’s in them?”

Just then, Chen came through the door. He looked at the young man—and her. She gave him a little wave, but his expression didn’t flicker.

“These are chicken,” she answered the young man. “But the lamb momos are also good.”

“They’re seasoned, right?” the young man said.

“Oh yes. With onions—and garlic. There’s a bit of ginger, too. And cilantro, I think.”

Chen stood stiffly at the counter, refusing to look at her.

“Sounds good. Maybe I’ll try some of that next time.”

It was only after the young man left with his Styrofoam tray of noodles that Chen came to her table.

“I see you made a new friend,” he said.

She just looked at him, looking for his meaning.

He lapsed into silence trying to calm himself.

“I know I have no right to be jealous,” he said.

Still, she could think of nothing to say.

“Neither one of us is ready for this game, Chen.”

“This game?”

“This romantic jousting. Neither one of us. You’re still focused on what you came here for. I’m still focused on—things I’ve left behind.”

His eyes stayed on her.

“Yes, I see. Perhaps you’re right.”

The counter man called him for his bowl of pho.

When Chen returned, he stood over her table uncertainly with the bowl in his hands.

“May I sit here with you—or not?” Chen asked.

“Of course you may.”

He arranged himself and his food and settled down to eat.

“It’s more complicated than I thought—you Caucasian women.”

She laughed.

They went back to eating.

“You seem representative of the species, however—perhaps you could teach me.”

They walked in the late spring snowfall. It was clean and fresh, and nothing about it had to be defined.


© 2011 J. Lang Wood

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Follow Me to the Chandelier Room

We should sign up to see only people we like,

like Albert Goldbarth, who dishes

out a maelstrom of nipple-twitching,

a lip ring in a dungeon.

 

I am so glad to have you to talk to. How

can I stop? Don’t make me,

like a birthday card with a naked cheerleader

open carefully, contents under

 

pressure me to do something unconventional!

Isn’t this the room from Ghostbusters? And isn’t Dan Aykroyd

about to drop one of these chandeliers on our heads?

Chevy Chase waits in the wings

 

while the Stay-Puff Marshmallow Man gets fatter.

Here, have you tried Burt’s Bees Hand Salve for your

back pain? If I see one more set of air quotes

I’m going to pull out my hair; it’s dying anyway.

 

Air quotes don’t validate me in the manner to which

a chandelier would, were it falling on the doddering

old man who is putting me to sleep. It must be his naptime.

I just heard the crystal in the chandelier yawn,

 

the artificial flames are rolling in the glass housing.

For someone who doesn’t read anymore, I wonder what in

the Wichita Kansas I am doing here; writers are weird.

Who’s story is this? I don’t want Cliff’s notes, I’d

 

rather jump off a cliff, dive into a Jell-O beach

blonde dead hair salt rinse. With my tuition in remission

my eyes, just like Dickens, changed public opinion,

invoked pop criticism

 

like pop tarts—twitchingly sweet but unsubstantial.

I am in love with the guy up there telling the story of Little Red

Riding Hood, even though we can’t understand him.

Do you think his accent is thick because he knows it charms us?

 

It’s a shame(less). I’m tired of wearing a loincloth over my

banana and nuts; thank you, “Mom,”

for taking care of me. Here try my RC

and let’s sit in the room with chandeliers that got squashed

 

by giant tomatoes fleeing from a Hitchcock film,

spilling a trail of seeds on the pavement

like Hansel. I want to be a mentor mentee

without menthol or menstruation.

 

Left-handed pens worn as jewelry,

girls as jewelry, women in the men’s bathroom.

Only one man attends the session on lesbian fiction.

Maybe he has identity issues, or geographic ineptitude.

 

How many eating disorders can one woman collect?

Tender hooks, full of appetites, they must press on.

Coconut custard cream pie baked on a crust of holy wafers

Deliver unto me its lascivious blasphemy.

 

We switch to Waldorf [the best room] and Why We Need

Ideas for Stories. Maybe we need salad instead

of ideas. We do not choose our medium—

it chooses us.

 

I like him—bald, bubbly, and repetitive.

Like any Buddhist, I long for an epiphany

Not a phony epiphany but an organic semantic.

I need to lose weight to sit next to you.

 

And the loafers—I never took you for a loafer.

Every now and then it just feels good

to untie myself from the confines of laces.

I’d hoped to get through the day without air quotes.

 

Why do I think everything she says is bogus?

Because all stories already exist in formlessness;

the only thing that changes

is the desire to trap them between the lines.

 

After the last forum everything else sucks.

I’m in love with Robert Olen Butler.

Now what can I do but drive five hours one way.

Five hours is a blip in time when we’re talking love.

 

I am surprised by the stark whiteness of this crowd.

When do you want to leave, and how do we extract ourselves?

We’ll go after this speaker and ease into the Ballroom,

where we can dance with the woman

 

who speaks with her hands.

I want to learn to speak without sound,

fingers opening and crossing fists.

My messages to you would bend gently at the knuckles

 

palms warm and open. I would be honored

to have my reading interpreted by her

in a grey double-breasted jacket,

hands dancing in pantomime.

 

Does she ever get tongue-tied?

I’d help her, but my hands are tied.

She’s always a phrase behind

because she must hear and think and hand dance.

 

How does she whisper?

I have so many secrets.

The best place to put something

for no one to read is in a poem.

 

Oh how I would love to make words dance.

I like listening to the ways they sway and shuffle.

I have a Chicagoland hand rash

so I pull a pen from behind my ear and write.

 

Stories about dust and snow, death and fire.

The chandeliers are pears ablaze above

Donald Hall. He’s changed since I read him in class

or maybe I’m confusing him

 

with some other grey, unkempt poet.

His head nods rhythmically

either from a mild Tourettes,

or maybe it’s narcolepsy.

© 2011 Meredith Danton Camel and Diane Larson

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The Snow Lion

“Dalai Lama’s nephew dies in traffic accident”

Feb. 15, 2011, CNN.com

for Jigme Norbu (1965 – 2011)

I last saw you on Kirkwood Avenue. I told you that I would be spending a year studying abroad in Germany. I’ve been in Freiburg im Breisgau for almost a year now. You told me you were getting ready to start another one of your Walk for Tibet awareness campaigns. Ambassadorsforworldpeace.org was one of the last things you ever told me.

A week or so before our final meeting, I was at The Snow Lion sitting by myself at a table that would normally sit eight people. I was the only customer in the restaurant at the time, partly because it was a weekday and partly because you had just opened a few minutes prior. I waited for my food to arrive. I have always ordered the same thing, even when I worked there as a waiter, fried rice with chicken, beef and shrimp, served with a salad with a homemade yogurt sauce and a large Coke.

When you came into the restaurant, my food had already arrived and I was scarfing it down like if I were Goku from Dragonball. Your wife, Mrs. Norbu, as I have always called her, was sitting nearby at a table for two. You walked directly to her table and sat across from her and then you saw me; you waived and then we had a brief long distance three way conversation. You then got up and came over and sat across from me and we started to catch up since I had been away from Bloomington for five years.

I told you about my six months in the Middle East, mainly in Israel, but I did mention to you that two weeks after I left Dahab, Egypt, a bomb blew up at a restaurant that I used to frequent called Al Capone’s and that twenty-three people died as a result of that explosion on April, 24th, 2006; you listened patiently and then after some silence, you started to tell me about your many Walk for Tibet experiences.

The following story is the one that stands out the most to me; while I was eating, you told me that you had walked for so long during your last Walk for Tibet journey, that all of your toenails fell off and that you continued to walk regardless of the pain. Walking fourteen hours in a day was not uncommon for you; but you were not a common man after all. You my friend, were a man of great dedication, who walked over 8,000 miles to bring awareness to the plight of Tibet, a land with its own people, its own culture and its own resilient spirit.

You were hit by a car and died while walking along a highway during your Walk for Tibet journey from St. Augustine to West Palm Beach, Florida; you died doing something you believed in because that’s how you wanted to live your life.

 

© 2011 Steve Castro

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RADIO.PHOBIA.

They cup hands around the smolder

like guarding bruised fruit. We never watch them

 

light the match, just know they burst

with oxygen. If we’d witness the catch

 

and cultivation, spread of soft flame

 

underground (The roots go first) our shadows

would extend from toes to wall, the well filled

 

now—not like yesterday, when we could only

hold out, empty. Language and sight,

 

nothing else is as estranged.

 

Let the shoreline represent infinite

progress, sliver of worth, trees forked

 

into banks of rock and angle. The world wasn’t meant

to accept just any border. Between fear

 

and wonder, a thing hollowed out, almost gone.

 

Don’t pick it up on the beach or blame it

on earthquakes, even four lane highways:

 

that underground muck fire will take years

to put out. All of the living, but never

 

another’s life. Small hand in its mother’s, yanked

 

don’t stare! Palms, like maps, laid flat

against us.

© 2011 Caitlin Mackenzie and Becca J.R. Lachman

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Thrice as Nice

As read directly from your email inbox in a letter from me that has just arrived …

Greetings…..

Just before the school zone was an electronic speed board flashing me at 33mph. Instant reflex was to compare that speed with my speedometer, which was about right, but what caught my eye was the time on my radio, 3:33 and the gas gauge way below “E”. I pulled into the first gas station in sight. After waiting behind 3 cars, I noticed the price, $3.33 a gallon. I clicked in the auto-fuel-cutoff lever and went inside for a pack of smokes.

I grabbed a pack of Tripoli Turkish blends from the Tobacco Bin, 33% less tar for $3.33, less tax. Shaking my head in amazement at the $33.33 gas bill on register # 3, I bought 3 Triple Play lottery tickets.

All these 3s kept spinning in my mind.

Superstition, blind luck, chance coincidence, a direct channel from the gods, whatever it was, I knew it had to be a sign, an omen, definitely not something to be disregarded.

The 3 major dramatic questions are:

“Why all these 3s?”

“What do they mean? “

and “What do I do now?”

With this in mind, I turned to my cyberspace soothsayer, Madame Sarah Oracle’s No Nonsense Lucky Number and Mystic Numerology web site and entered, “Tripoli 33comma3colon33dash3point33parenthesis333and33% in large fonts”. An instant winner banner popped up and I immediately obeyed the flashing “Click Here” hypertext to claim my valuable prize. I was given a confidential confirmation code, 3-33 and a telephone number with a 003 area code that took 3 times to get a connection.

The exotic voice of Princess Alexis enticed me as she confided that corrupt and evil guardsmen were holding her captive in the castle dungeon until she reveals the hidden hiding place of the missing royal treasure. Her assassinated father, the ever good and kind king of an undisclosed land in the far northwest region of deepest, darkest South Africa, whispered to her the secret location just before his death. She explained to me her plan to foil her abductors and help the poor villagers of her kingdom by sending the vast fortune for safekeeping to an honest American citizen, like me, to keep for her until she could manage to escape and join me in the United States. I was honored that she would find me worthy of such a trust. She also said that her lucky number was 3, just like mine. I was now completely convinced. I eagerly shared the password to my savings and checking accounts – anything to help my new friend, the brave and precious Princess Alexis.

I had an electronic account, but that was about it. I’d been living hand-to-mouth, always paycheck-to-paycheck, and my last payment had stopped 3 weeks earlier after 3 months of unemployment. So you can imagine how surprised I was that my balance was now $33,333.33!

I tried calling the princess back to let her know that the transaction had taken place, but I couldn’t get through.

I’ve also tried asking all my friends by email about what I can do, but by some coincidence an Internet infection has entered their electronic banking and bill payment systems on their computers along with all the contacts on their mailing lists. What a vicious virus! I sure hope I don’t get it.

I’m seeking your advice concerning what to do about these huge amounts of money appearing in my account, which for some reason grows larger everyday. My bank teller warns me that the FDIC only insures up to $100,000, that I should transfer money immediately. I’m running out of places to put it all. Maybe you can help me. All I need is your account number and password…

Wow, that was quick. Your information just arrived in my inbox. I’ll save you the trouble and forward it for you to my sweet and innocent Princess Alexis. Computers are so awesome. I do wish I knew more about how they work.

I know you’ll be surprised at the new balance in your bank account, just like I was. I hope to hear from you soon.

Until Then,
Carl Palmer

P.S. Today is the 33rd day since this all began and I didn’t hit the lottery. Maybe those 3s weren’t so lucky after all.

© 2011 Carl Palmer

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Please indulge this

Please indulge this.

Because the nettles only sting

when alive. Because

dead things are so easily

severed by a blade of grass.

Honeybees would rather die

than eat the last of honey.

I try to find you amongst

the ruined combs—the spring

day that can’t help but burst

from carefully wrapped gifts.

There is no last of the honey,

only more to unwrap.  Only

bodies underfoot to preserve

a kiss in wax—winter gone—

tongues cut apart by grass

where royal dandelions

hoard the sugar of the field.

But where is the lion’s mouth?

Where is the hero who lays

down for my pleasure?

 
© 2011 Timothy Liu and Hansa Bergwall

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Hazel Kitchen

How a Nice Girl From Mississippi Ends Up a New Yorker,

with a Bad Haircut and a $700 a Month Therapy Habit,

Shacked Up with Hazel Kitchen

My therapist, who always smells like triangles, says I’m not a lesbian, I am just a narcissist. But since the day we met, I never thought Hazel Kitchen was all that. And nothing could be less all that than the sad, wounded constellation of human features that went diving through the twisted gauntlet of my parent’s Southern Baptist Mississippi DNA to end up on my face. They are the same forgettable features that I first saw on Hazel Kitchen that day.Only I never forgot them.

If it hadn’t been for her Aunt Bayleigh’s terrible knitting skills, we might never have ended up in the trouble we are in. And that would’ve been a tragedy.

“You could be sisters,” the Turkish waiter said, studying Hazel’s face and then mine as we struggled to untangle her Aunt Bayleigh’s too long scarf out of the doors of the Turkish Coffee Shop. “Twins even.”

Hazel looked up from where the rusted hinges of the door were locked around the frayed green threads the color of a long Sunday. When she saw my face, she was as stunned as I was. We were both fifteen, too pale, too thin, hair too straight and too long to do anything with and the kind of brown that makes you invisible. I had never thought I was beautiful. I had a sufficient face, useful, everything where it was supposed to be. Nothing interesting or close to beautiful, but as I looked at her, it was the most beautiful face I had ever seen.

This is why my therapist thinks I am a narcissist. I told her I didn’t think we had any of those in Mississippi. Maybe in the city, but not where I was from. We didn’t even have cable.

And we sure didn’t have any lesbians. Not before I untangled Hazel Kitchen’s Sunday-green scarf and she invited me to join her for a cup of Turkish Coffee that got cold before either of us ever looked down. She had some fancy water, Calistoga. She offered it to me and I made fun of her for it. It was our first actual conversation. The only thing bearable about it was that her eyes had this whole story about what they wanted that was the opposite of everything she said.

“I wanted 2 kiss U,” Hazel Kitchen texted me later that night. My cell buzzed in my pocket while I was staring at an uneaten plate of pot roast at my grandparent’s kitchen table. I couldn’t eat. I hadn’t thought of anything but Hazel Kitchen since we met five hours, seven minutes and six seconds earlier.

“Come over 2moro,” I texted her back, when my family had gone to bed. And then I did what everyone does when you need answers. I googled it.

“LESBIAN,” I typed.

It was a good thing I did the research, because Hazel Kitchen didn’t really know how to be a lesbian either. She showed up the next day, looking better than anyone ever had, watching me through her jagged bangs with a look in her eyes I could feel under the soles of my feet.

While my mom baked apple pie for the church bake sale, I introduced them as fast as I could, dragging Hazel Kitchen by the sleeve up the stairs and into my room. My parents would’ve never let me close my bedroom door if there was a guy in my room, but it never occurred to them what Hazel Kitchen and I wanted to do to each other. I closed the door.

“My pastor says all the gays are going to hell,” she said, but she shook her shoes off carelessly and went diving into my bed as she said it.

“Well, if all of the lesbians are going to hell, why would we wanna go anywhere else?” I smiled, surprising myself.

“That’s a good point,” she laughed. “I’ll be sure to tell him that.”

There was a slow, hungry silence between us.

“I know what to do,” I told her, leaning in to kiss her. “I’ve been googling.”

“So have I,” she said, sitting up from the bed. “You got a towel?”

I hesitated.

“And some scissors?”

“What for?” I asked her, as I was digging through my closet for both. I handed them to her nervously.

“Trust me,” she said, pulling a chair between her legs. “Sit down.”

I sat shaking in the chair facing her. She put the towel around my neck slowly and studied my hair intently. “Trust me,” she said again. And then she started cutting. She cut my hair jagged, like hers, but shorter. Lesbian short. Lesbian jagged. As every hair fell, I felt more free. When it was over, she handed me the scissors.

“Your turn,” she said.

I cut hers exactly like mine and then we just lay there, looking at each other.

“What do you want to do now?” I asked her, too entranced to hear my mother coming up the stairs.

“Everything,” she said.


© 2011 Page Getz

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Trade Deficit (with introduction by Albert Abonado)

Dear Readers,

Over a year, poets John Gallaher and G.C. Waldrep wrote poems to one another through email, sometimes exchanging three or four poems a day. As the exchanges progressed, the poets recognized a third voice emerging within their poems that neither could claim as wholly their own. The result of all the exchanges appears in their collaborative book Your Father on the Train of Ghosts. Gallaher and Waldrep’s method represents one approach to collaborative writing. Others have exchanged lines or stanzas. The possibilities are seemingly endless. I selected the poem “Trade Deficit” from the collection for its wit and lyricism, and as representative of their collaborative work.

Happy Reading,

Albert Abonado

Trade Deficit

Do you have any

friends, the darkness asks,

and for a moment

you’re surprised: you expected

salt, maybe, or terror.

China has some wisdom

to offer on this point:

Learn how to make

a lot of things that are basically

useless and also

a few things that matter, then

flood the markets.

The trick is that once

the markets are flooded,

you must create new markets.

Darkness does this

all the time, knocking

at your door: Do you have any

mercy, it asks, any weapons,

any sugar, any stone.

© 2011 John Gallaher and G.C. Waldrep

Reprinted with permission from BOA Editions.

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