February 8, 2010

In the Post Office

Whenever you find yourself on the side of the majority it’s time to pause and reflect. That’s what the man with the milky mustache said to me that day in the sultry heat of the post office.

It was early. Maybe 9:00 a.m. and already the flies were limping along in a drained glass of too much summer. The man whose name was Sam or Sal, I can’t recall exactly, was standing in front of me at the Old Town Temecula post office.

His yellowed teeth reminded me of the piano keys on the old upright in my grandmother’s parlor: needle point cushions ripe with the smell of mothballs, slumped on aching velvet couches in a shade of blood orange. The piano keys – waiting to be played, stroked – lay silent under the lace curtains blowing in the parlor windows.

The man frothy with meaning tapped me on the shoulder. I stepped back and tried to remain a neutral participant in this unplanned encounter. Okay then, I said. Thanks for the advice.

Between him and the front of the line were babies trapped in strollers, legs and arms wriggling desperately to be free; knobby kneed ladies with sagging stockings.

Lady, it ain’t just advice. It’s the truth. Wilted words I thought to myself as his eyes burrowed into my skull.

Garlic coated each word wafting from his mouth. I took another step back, looking behind me hoping not step on any little bird feet in the snake line quickly stretching outside the doors.

By the way, these are the words of Mark Twain, he said reaching into his pocket. Blind obedience to authority is a cause for concern. Pointing a finger at me he tells me to be careful and think. It is the single biggest thing I can do.

Don’t let him in I whisper to myself.

© 2010 Camerone Thorson

February 8, 2010

Making it through the holidays

is something like plodding up a flight of broken
stairs, the metal underpinnings exposed.
It’s useless to try and push time.

Out of breath you stop
for a moment
recalling the litany of excuses why Sammy got sick
at your Christmas party.
Damn, he has the flu and now you have to call the parents of all the kids
to let them know to be on the lookout.
Shit.
Shit and more shit.

You reach the top of the 150 foot vertical climb and
your heel gets stuck in the rusted lip of the step.
Fuck is the only word that comes to mind.
It’s the reason for the holidays, you tell yourself.
It’s not really but shit, when the holidays
are really nothing more than a series of black and white reruns
then what makes for a celebration if not a fuckfest?
Hell, let’s make everyday a holiday…

© 2010 Camerone Thorson

February 4, 2010

The Pretenders

The Christmas tree looked as green as the day we put it up. It always would. Every year we pulled the box from the rafters and matched the color-coded branches to their correct positions on the metal trunk. Leftover tinsel from previous years only made our job easier. I was eight that year, so it must have been our original tree, the one that looked more like a pile of pipe cleaners than a blue spruce. A few years later, my dad would go from staff accountant to chief financial officer and we’d pull together the money for a more real looking fake tree, its perfect symmetry and lack of aroma the only giveaways. Still, I knew I was missing out. Each year, my classmates would brag about pine scented living rooms, and I would nod along uncomfortably like the only one who doesn’t get a joke.
That morning, my sister and I sat next to the pipe cleaner tree in matching all-in-one pajamas with the plastic feet cut out – my mom was terrified of athlete’s foot. We bounced up and down in anticipation. After weeks of staring at the boxes trying to resist a good shaking, we had memorized the entire layout and knew exactly where each person’s gifts belonged. But now there were new things, big things – Santa had obviously made his visit, and the new boxes were wrapped in beautiful gold and green shiny paper not our own thin, dull blue paper with sleds on it. I crossed my fingers hoping for a ghetto blaster so my friends and I could listen to tapes of Madonna instead of my parents’ Beatles records. When my dad finally woke up, my sister and I could hardly contain our excitement, but as this man we hardly knew and mostly feared came down the hall, we quieted down, stopped bouncing, and got serious about the morning’s promise.
“Let’s do this right,” he said as he knelt down by the fireplace and turned the key to start the fire. “There’s something special for you under the tree this year.”
Could he know what was under the shiny gold and green wrapping paper? I was dying to find out and had to fight the urge to run over to the present. He reached behind the tree and pulled out a present covered in sleds. It was about as big as a bread box. I didn’t know what a bread box was, but I knew its size from playing 20 questions with my friends at slumber parties where we sipped hot chocolate, the real kind (not sugarless) next to real trees, smelly trees.
“It’s from your Grandpa William,” said my dad as he handed me the box. Grandpa William was my dad’s father. For reasons unbeknownst to me, I met him for the first time only a few months before.
I quickly forgot about Santa, thrilled to have something from my new grandpa. I ripped open the paper as my dad sat ready with his finger on the Polaroid camera. I tore the wrapping to shreds instead of folding it like my mom would in order to save it for next year. I finally uncovered a Flower Patch Kid. Not a Cabbage Patch Kid, which was what everyone wanted that year, but a Flower Patch kid. I gasped with joy and held it up to the camera.
Later, sometime after my college graduation, my mom and I were looking through her albums and came across that shot. “Yikes, I look like Vanna White,” I told my mom, assuming I hadn’t fooled her even then. No kid could have been that happy about a Flower Patch Kid.
“You sure loved that doll,” she said. “You carried it around everywhere you went.”
I still remember smiling maniacally as if it were the best present on earth. I knew my dad would send the picture to my grandpa, and I wanted him to know how much I loved him and how happy I was to know him now. He had been so much fun when we went to visit him in Tucson. He showed us his favorite restaurant, the Double L, his trailer in the desert outside of town, and his favorite spot in Sabino Canyon. We all went to the Saint Xavier mission and he bought me an Indian necklace with brown stones. I would have rather had the turquoise necklace, but I pretended to love the brown stones, of course.
I was so happy that I never wondered why I hadn’t met him earlier and didn’t notice the coincidence of timing when he dropped dead at the Double L a few months later. I didn’t yet know that my dad had barely spoken with his own father since he was in elementary school and the child support payments stopped coming.
“You know, your dad actually bought that doll for you,” my mom said turning the photo over to check the date.
It made sense. I doubt my grandpa could have afforded even a knock-off toy. I could have been disappointed – the great guy I shared a few shimmering memories with in third grade hadn’t actually thought to send me a gift. But instead of losing a grandpa, I found a father who beneath his frugal and stoic façade, was forgiving, sacrificing, and more loving than I had ever known.

© 2010 Tiffany Hawk

February 1, 2010

ON A 40TH BIRTHDAY and ANNIVERSARY

ON A 40TH BIRTHDAY

You remember presents piled high and tipping
on the living room rug, noisemakers shooting perfect
arrows of sound into the dining room
where the table was wreathed by balloons,
the cake enthroned in readiness,
frosting so soft you could burrow
your finger straight in,

the day when everyone took notice, as if you
wore a tiara of flashing light,
teachers and classmates, uncles
and aunts, even your big sister
who almost always hated you–
she smiled upon you then,

you who would one year turn 40, on a day
when the sky spit a heedless
chill rain, and your two best friends
were out of town, on a day when the babysitter
called in sick, and your daughter wouldn’t lie down
for her nap, for she was bubbling, chattering
about something—mama’s birthday—her mama
who waited in another room, one hour
folding evenly into another.

© 2010 Andrea Potos


ANNIVERSARY

We didn’t mention it today, Mother–
all the things I wondered
about that wedding forty years ago
on this day in summer’s marrow.
I didn’t ask if you saw Lake Michigan
knife-blue as it was today,
if you heard the waves’ thunder,
whitecaps reaching out to you like arms on that morning
your father drove you to the church,
where the breath of incense, the deep well
of the cantor’s voice lulled you into believing
words and ritual
could change a man.
I didn’t ask
if after you passed through the gilt doors, the rice still spilling
through your auburn hair, if the trees were on fire
with this same green–pierced through with too much light
for the eyes to hold for long.

© 2010 Andrea Potos

January 28, 2010

You Who I Love,

Who I do not love,
Who I don’t not love.

You who I stubbed my toe on,
And toed the line for.

You who I doted on,
Devoted on, pined for.

You who I seek,
Who I see.

You who seemed so impeccable to me.
You who seethed so impudently.

You with the comforts.
You with the comportment.

In your apart-ment
I could have but didn’t

(That wasn’t quite
The end of it).

You who went hidden.
You who went hungry.

You who, bedridden for weeks
Got a gangrenous angry.

You who came back from safari
In saffron robes.

You who I knew,
Who I’ll never, never know.

You who are both whole
And half. Both calm and wrath.

Both balm and malice.
You who rebuked then re-rebuked me.

You who I needled and needed.
You for whom I tolled like a bell.

For whom I descended into hell.
For whom the third day rising came far too fast.

You who cannot serve both god and glass.
You who cannot sever bad from bliss.

You who I kissed.
Who I cussed.

You who I love.
But not enough.

© 2010 Jill Alexander Essbaum

January 28, 2010

I write your obituary for practice

I sign my name with a widow’s anguish,
A dowager’s flourish, a dangerous ease.
I donate your suits to charities.

I ask a sympathetic priest for prayers.
And send word to the office you won’t be in.
Won’t ever come back in again.

I wrestle myself into mourning dress.
I place the paperwhites on the sill.
I still my nerves with a happy pill.

I settle your debts, your bets, your accounts.
I count up your assets. Assess my regret.
Then I sit in our empty kitchenette.

And try my damnedest to forget.

© 2010 Jill Alexander Essbaum

January 21, 2010

Use Somebody (Excerpt)

Am I only material
for you to feel?
Is that all you see
when you look at me?
-Robert Creeley

Wendy woke up to find the room cold. And empty. She watched her fingers roam the swirls of blue and whites on the quilt. A small tear opened the inside and a little down escaped through. She stuffed it back in and felt better. Less empty. She could relax because she had fixed something. And that something wouldn’t be irrevocably lost. She was crazy about stuff like that.
Jones should have been back by now. The endless touring, the days on the road promoting his band’s new album, was daunting. She lay there curled like a fetus and tried to hide from the fact that Jones was missing. His absence was like a presence itself.
Wendy fingered the Russian-doll bracelet that hung from her wrist. The smallest doll of the set, the doll without the hollow insides, she wore even in bed. A tiny ornament, her hand dwarfed the thing, so small she could have crushed it between her fingers.
In the note he’d left with the bracelet, Jones explained that it was something he was giving back to her. He had taken the smallest doll from her dresser as a souvenir while he was touring. He had decided to make the doll into a bracelet so that she could keep it as a souvenir of him instead. Wendy missed him so bad she wore it everywhere. It was the essence of Jones.
Before Jones, her moods had always been her impediment. Outside it could be sunny and warm but inside she would be gloomy. Sometimes she felt a love so great that it would leave her exhausted and pining for more. She would be eating a salad and it would be so good she’d relish in every bite, happiness exuding from her very pores, and it would be awesome like divine light happening to envelope her in its warmth. She’d be alone listening to a record, and the song would be just right. Or it’d be Jones and his smile. Everything would be so good she could pop with gladness. Then it would shift and she would be gloomy like an overcast day.
Lights and darks. That’s how she saw them. Like the patterns of her quilt, they complemented each other with their lights and darks.
She pushed her feet outside the blanket. It barely covered her. Her skin went white and goose-pimply.
From the time she was six and until she was eleven, she would play games of hide-and-seek by herself. Tucked inside a closet or breathing silently underneath her blanket, she would pretend she didn’t exist and things would suddenly feel safe. Her mind would be silent. She would cross her fingers until her mother found her like this, and banished her from her hiding spot. In those moments when she ceased to exist, she found herself feeling the most relieved. With Jones she no longer wanted to hide. Jones was a genius for turning things around. It was what made Wendy attached to him. With Jones she saw things in a way she wouldn’t have seen herself. Without Jones, everything was stale. Life left her without a sound.
She got up and went into the kitchen to fix herself some tea. A cup of tea wouldn’t save her. It wasn’t like she could poke her insides back in.
Under the sheets, Wendy could almost summon up Jones’ warmth. She propped two pillows up in the bed beside her. In the darkened room, they looked like Jones’ back. She squeezed Jones’ pillow to her chest, and was comforted. Lying there, she could feel their togetherness.



© 2010 My Nguyen

January 14, 2010

On the Pills

On the pills, you don’t get hungry.

On the pills, whenever you dream you see your grandparents and every dead hamster you’ve ever owned.

On the pills, you are everywhere, you are everybody, you are every woman.

On the pills, you are a superman and everyone else is Little Bo Peep.

On the pills, all of your ex-lovers are in a hot tub, everyone is drinking Hennessey, and Bell Biv Devoe is playing on a boom box.

On the pills, every day is Christmas and every night is New Year’s Eve.

On the pills, this conversation is already being dug up by archaeologists on a distant planet. Or it never existed.

On the pills, you focus more on the shapes of heads and less on the expressions of faces.

On the pills, you figure when somebody gets upset in the long run shit will even out.

On the pills, you just worry about the next dosage 24-hour dosage

On the pills, you tend to repeat yourself.

On the pills, it’s impossible to take in a whole person so you focus on a passing butt, boob, or thigh.

On the pills, you just try to obey the majority of traffic laws and avoid all the hobos.

© 2010 Jeff Girod

January 7, 2010

EXTRA! EXTRA! READ ALL ABOUT IT!

(poetry’s posthumous voice boils pacific)

Have you ever seriously considered,
Meditatively cud-chewed on gristle covered shank bone,
What might happen if poetry ran its course,
The last imaginative metaphor having been written,
That fateful day when the sword
Becomes mightier than the pen? Have you!
Would such an event prove cataclysmic,
Or would it merely be the silent sound
Of flatulence breaking the wind?
Would it be headline news
Or would it be buried somewhere in the obituaries
Behind the Want-Ads?

“Poetry, a 39 year old hermaphrodite
suffered a massive myocardial infarction
while addressing a crowd of circus lovers,
a carnivorous conclave of cardinals,
a flock of frocked obsessive compulsives behind closed doors.”

Maybe this event would make the ‘Personals,’
“SWF seeks SWM poetry lover
who loves to go down in the moonlight at midnight
during the monsoon season in Madagascar,”
or some such thing as that
with the emphasis on the significance of poetry,
its metaphysical effects on the lunar tides
and the ozone layer’s exponential ooze.

Maybe this event would make the Sports Page:
“Poetry strikes out on three low fast ones;
his Louisville Slugger never left his shoulder
and the bases were loaded in the bottom of the ninth!”

Hyperbole, you say! I don’t think so; when was the last time
You feasted on a good bowl of tripe,
The marble laden stomach of a slop fed swine
Or siphoned pickled pork from between the pig’s knuckles?

Or maybe it really would be the final sunset.
Our sun, the source of warmth, light, life and energy
Seen disappearing with resounding finality,
The agonizing sound of someone’s drowned voice
Boiling the Pacific.

© 2010 Richard Ilnicki

January 1, 2010

The United Virtues of Tina (Excerpt)

Ian also found himself fleeing from women who were a shade too self-reliant, too persistently capable. He had never, in his Kansas meanderings, met a woman with a wood shop in her garage; he had never met women who owned roto-tillers, chainsaws, and hydraulic wood-splitters that they towed behind a pickup truck. (A truck with a bumper sticker that said: SILLY BOYS: TRUCKS ARE FOR GIRLS!) Santa Fe was positively crawling with these kinds of women: Women who owned kayaks, and shotguns, and ice-climbing equipment; women who rode motorcycles (dirt bikes, even); women who walked huge snarling Rottweilers on thick choke chains. The dogs, the bikes, the guns were all a manifestations of a deeply disturbing revelation—that men were superfluous, that their skills and their toys and all of their bravado could be so easily co-opted. Men were the proverbial fish on a bicycle. Men were merely the people who sold theses intrepid women’s toys.
Ian could never admit that sexuality was the root of this threat. But then he met a force of nature named Ingrid at a Canyon Road gallery opening for Dennis Hopper. Ingrid was a Norwegian émigré with a master’s degree in exercise physiology. She worked the requisite two jobs: In spring and early summer Ingrid was a whitewater rafting guide, shooting the Taos Box with boatloads of terrified tourists. In winter she was a ski instructor—not just any instructor, mind you, but one who specialized in disabilities; amputees, autistic children, and people with “mobility issues.” Of course, Ingrid drove a pickup truck; a tricked-out monster with a CB radio, a gun rack, and a winch mounted on the front bumper (“for the boats”).
Ingrid was so radically different from anyone Ian had ever dated; she was like a third gender. For instance, she never discussed previous boyfriends or lovers. She never complained about a lack of money. She loved children, but didn’t seem to want any of her own. She did not read Toni Morrison, and had never heard of Maya Angelou. (She did read anthologies of letters; erotic letters by Anäis Nin.) Ingrid would drink one glass of wine with a meal, and then chase it with a couple of mojitos. She favored rare, bloody steaks that were all but twitching on the plate. Clearly, Ingrid loved to party, but she never told How-drunk-was-I stories about herself. She had women friends who lived like she did; Gina, the bartender who was also in the Ski Patrol; Irene, who did personal training and was dating a tribal policeman from Pojoaque Pueblo. Ingrid certainly exceeded Ian’s travel standards; she had lived all over Europe, she had plenty of vagabond stories. She was neither cuddly nor Reubenesque; Ingrid’s lithe and lanky frame was part gymnast, part triathlete. Ingrid was the most complete package that Ian could imagine. Her fabulousness begged the question of what could she possibly see in him?
Ian mulled this discrepancy one evening while they shared a patio table at Gabriel’s and watched their waiter mix fresh guacamole. He and Ingrid had not yet slept together; the relationship was in that third date netherplace, and Ian decided that candor was the best policy.
“I can’t help but think that maybe I’m not like other men you’ve dated,” he said.
Ingrid sipped her mojito and said: “Well, you are my first author.”
So that’s it, Ian thought, as they tucked into the dip and blue corn chips. She had tired of the calloused cowboys, the sensitive New Age guys, or the Santa Fe arts cadre. Ian presumed that Ingrid had dated artists, just not his kind of artist. The one personal dating revelation that Ingrid did share was during a discussion about her juvenile ski clients, the autistic ones who were “a handful.”
“Single men in this town all seem to hate children,” she said. “I talk about my students and their eyes glaze over.”
How ironic, Ian thought, for at that moment he was waging his own fight to keep from looking stone bored. Children were a complete abstraction to him; certainly nothing to be coveted or adored. They were fine for people like Ingrid who had the capacity to give a shit. But honestly: The little buggers were so persistently ill-behaved, careening about the market aisles like rogue gypsies; yowling in movie theaters, sneezing in every direction. And it seemed to Ian that most of their parents were insensitive, oblivious, or both. It was as if the very act of parenthood emasculated men—hardy, rugged men became mewling man-moms. Ian had just encountered a man-mom in that very restaurant; some guy returning from the restroom with baby in his arms. He had a bottle of formula stowed in the back pocket of his jeans, and had draped a frilly little spittle cloth over his shoulder—a grown man with a spittle cloth! Why don’t you just clip your nads and hand them over to your wife? Ian thought. Clearly, you won’t be needing them anymore.
“Hello? Hello, anybody home?” Ingrid snapped her fingers in Ian’s face. “Where did you just go?” she demanded.
“Oh, it’s just the work,” he said, with a shrug. “I’m past deadline on this Rex Cabot book…”
Ingrid issued a wry smile, then said, “I’ll bet I can think of something that would distract you.” She took his hand in hers and licked a swatch of guacamole from Ian’s thumb.
They finished dinner in a kind of pre-coital haze, then quickly departed in Ingrid’s truck. As they drove south, Ingrid suggested that Ian sit closer. He obliged, straddling the transmission hump and placing one hand on the inside of her knee. She winked at him and reciprocated. The arrangement was almost erotic, except that Ingrid’s truck had a manual transmission; her hand constantly jumped from Ian’ thigh to snatch the shift knob and grind the gearbox. Sitting that close, Ian could feel the leverage—the brute force of her. She was a formidable woman, unlike anything Ian had ever seduced. As if to underscore this, Ingrid launched into a description of the rescue procedure for man-overboard on the river boats. There is an especially gnarly stretch of rapids just above Embuto Station, she explained, where the boat reverses and the bow pops up. Tourists tend to pop up too, sailing into the raging water like popcorn out of a hot kettle. The guide, Ingrid explained (grind-grind; shift-shift), has just a few precious moments to snag the front panels of the person’s life vest.
“Sometimes they fight you, get to flailing and screaming,” Ingrid said. “The only way to calm them down is to give them a good slap.”
“You slap your clients?”
“When I have to,” she replied. “They usually thank me later (grind-grind; shift-shift). Anyway, you can’t lift an adult—especially a man—back into the boat by brute force. They’ll pull you in with them. So you’ve got to dunk them—”
“You dunk your drowning clients?”
“It’s not punishment, it’s technique,” she explained. “You bob them under; the vest will bring them back up, and you use that momentum to pull them in.”
“That works; bobbing them underwater?”
“Haven’t lost one yet!”
And in that moment, with that image, Ian felt his own gonads recoil; actually start to retract into his pelvic floor. Ian felt flushed; not from carnal anticipation, but from a visceral sense of dread. Ingrid’s story had conjured forth am image of what sex with her could be like—dunking, slapping, flailing about at her mercy! A woman like this—this gear-grinding Nordic Amazon—would pulverize him in bed. There would be no nibbling of napes, no eyelash kisses, no fluttery fingertip explorations of Ingrid’s fleshy portal. This steak-loving carnivore would treat Ian like her personal shift knob. He would be but a tiny man-mogul on her downhill race to orgasm. And what consequences awaited the man who displeased her? What if Ian failed to satisfy? Ian did not want to be that man, did not want to be Ingrid’s first author, did not want to have to make love like a gladiator. Ever kill anyone in the throes of passion, Ingrid? Haven’t lost one yet!
“I wonder if you could just drop me at my car?” Ian heard himself saying.
Ingrid did not respond, did not glance at him, and she let the truck’s engine tach up to a high whine before downshifting.
“Was it the dinner?” she finally said.
“No, no it’s just that I’m kind of preoccupied with this deadline.”
“I’m sure you are,” Ingrid said—issued—through her large, white teeth.
And that was how it ended; an ignominious back-track to a restaurant parking lot; silent, sullen, and caustic. After Ian climbed down from the truck, he tried to utter a farewell but Ingrid slammed the vehicle back into gear and squealed away, the passenger door flapping as she careened into the night.

END

© 2009 Monty Mickelson